Project Detail

Young Office People

Synopsis

Tension in a London office reaches boiling point when Joseph discovers someone has stolen his yoghurt drink. Winner of the Digital Guerrilla 48 hour Filmmaking Competition 2002, Young Office People is a slapstick comedy and homage to the modern action genre.

Details

Year
2003
Type of project
Shorts
Running time
9 mins 30 secs
Format
Beta SP
Director
Eran Creevy, Buki Koshoni
Producer
Eran Creevy, Buki Koshoni
Editor
Buki Koshini
Screenwriter
Eran Creevy, Buki Koshoni
Director of Photography
Eran Creevy, Pedr Browne (assistant)
Sound
Michael A Tach
Principal cast
Buki Koshoni, Thalia Charalambous, Ben Fairman, Joseph Kentish

Categories

Production Status

Production Company

Dragon Media

48 Eaton Court, Eaton Avenue
Swiss Cottage, London, NW3 3HJ
UK

T +44 (0)20 7722 4099

bkoshoni@hotmail.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Elenya, the self-proclaimed Elvish Princess, sitting at Hackney Marshes. The Lost Princess of Hackney

Director: Fenton Dyer

Year: 2026

A self-proclaimed Elvish Princess finds herself stranded on our world in the Hackney Marshes. Without any magic to return home, she searches for purpose but develops an unlikely friendship with a sceptical student filmmaker.

man seen from behind carrying a bottle/missile Stop the boats

Director: Aneel Ahmad

Year: 2027

Overwhelmed by grief and anger, a distraught parent arrives at a mosque with a makeshift firebomb, intent on seeking revenge against those believed to be responsible. But as they confront the imam outside the mosque, an unexpected conversation challenges the hatred and begins to unravel the lies fed.

The Weir cast and director The Weir

Director: Conor McPherson

Year: 2026

Set in a remote pub in rural Ireland, four local men - Jack, Brendan, Jim, and Finbar - gather for their nightly pints. Their routine is disrupted when Finbar introduces Valerie, a newcomer from Dublin. To impress her, the men trade eerie local folklore and ghost stories. However, the mood shifts profoundly when Valerie reveals the tragic, personal reason for her arrival. Far from a simple thriller, the play is a tender, intimate exploration of deep-seated loneliness, the comfort of shared storytelling, and the delicate human need for connection amidst the isolation of the countryside.