Projects in categories: Artist Project and Video / Experimental

Synopsis

A film which aims to opens up a discourse on the Black British experience; interrupting the emotional transition between generations and questioning what it means to be British

Synopsis

A well known 35mm blockbuster trailer is cut up, dismantled,
reassembled and re-edited with tape and scissors. Printed by
torchlight and developed in a bucket… an impossible film.

Synopsis

Set in Egypt, Greece, Italy and the US, Anja Kirschner's piece reflects on the way psychological, historical and material realities are connected through the prism of the filmmaking progress itself.
Its main protagonists - a director and a screenwriter are in the early stages of developing a commercial feature film, but soon their own conflicting desires and the events simultaneously occurring around them, take them far beyond their initial intentions. Forced to radically reconfigure her project, the director becomes more and more drawn into conversations with the actors she has cast, which centre on the way cinema intersects with their own lives and gives expression to the realities they are confronted with.
Official Selection BFI London Film Festival 2016 - Experimenta Strand

Synopsis

Six Portraits of Clara Schumann resolves into perhaps the oldest multiple we know.

Synopsis

Daniel Fawcett's SPLENDOR SOLIS is a twin screen cine-poem that has been compiled from footage filmed over 17 years. It features everything from home movies, unfinished films, video diaries, video experiments, filmed performances and behind the scenes footage.

This loosely chronological cinematic wandering charts a journey in which filmmaking is used as a tool for personal exploration of inner and outer worlds, where cinema becomes an arena for rituals of self-discovery, healing and transformation. SPLENDOR SOLIS is a personal celebration of cinema, creativity, play, collaboration, friendship and all the splendours under the sun.

Synopsis

The Cusp of Your Credenza is a wandering speculation through various material encounters. A woman presents a number of scenarios that involve the ingestion or ejection of substances. From toenails to statuary, muffins to monuments, The Cusp of Your Credenza wonders how we place ourselves bodily in a material world.

Synopsis

Enter a landscape of curious subtle enchantment, where sentient shadows brood and magic shines resplendent in streams of illuminated water.

Synopsis

A woman. A house. Sheets stir... new beginnings await.
Using dance as a unique cinematic language this film explores women's stories inside the house. Therein lies a world of memory, joy, violence and transformation.

Synopsis

'The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers' [the complete title of this piece] is partially inspired by Paul Bowles’ story 'A Distant Episode', and charts a mysterious transformation from observational making-of to inventive adaptation, shot against a staggering Moroccan landscape.
"Ben Rivers explores the illusion of filmmaking in Morocco... The Moroccan Sahara is littered with the legacy of films shot in its dramatic vistas: abandoned sets that reveal the artifice of filmmaking and trigger our recollection of the half-imagined spaces of familiar films from decades past." (Artangel)
Locarno Film Festival 2015 - World premiere

Synopsis

An experimental abstract animation using direct-on-film painting and collaging combined with 2D computer imaging. The colourful and lively animation is set to an atmospheric music soundtrack.

Synopsis

The action in the film revolves around a large pagan-like head covered in grass set within the post-industrial cityscape. The monologue '50 ways to murder magic’ ( Artaud 1947) running in the background, is audible intermittently.In parallel to the dialogue the narrative is fragmented, interspersed by sequences of animated drawings.

Synopsis

At the age of ninety-two, Isabella struggles to remember... As she becomes ever fragile and her short-term memory begins to falter, her past is explored, questioned and brought to life.
How much of your life do you need to remember to remain yourself?