More than 3,000 insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it is as if the genetic programme of millions of years is taking place in a few minutes. It is a rampant creation that seems to defy the explanations of evolutionists and fundamentalists. It is like a mescalin dream of Charles Darwin's.
Wonder is a humorous rendition of Wonder Woman, which syncs together the transformative moments of the acuminating drama as our be- speckled assistant turns to super-heroine. The narrative is emptied of significance while the surface imagery turns into a gloss of texture and action. The layers intermingle as the music and sound drive each episode forward, emphasising the crush of cliché and drama.
Billy Hull was a prison officer in The Maze/Long Kesh. Against prison policy Billy collected items from various individuals, incidents and occurrences. On his retirement Billy organised a display of the objects. The public has never seen this collection.
Cabinet is a meditation on the fetish objects of the Unabomber's story: wilderness, typewriting, cabin, and bomb. The film includes DV and Super 8 footage shot in Montana, archive, computer animation and S16mm live action, a Shaker song, an Edison cylinder recording, and bird song recordings from Cornell University.
Night vs. light, music vs. motion, figuration vs. abstraction. Flowing, twisted tubes of light collide with dark pools of shadow in this nocturnal prowl through a neon cityscape. Created entirely from digital photographs.
This documentary presents the architectural concept of 'Cargo Fleet', which juxtaposes materials from the shipbuilding yards of the North East of England into the urban landscape of Islington. The house is revealed through the reflections of a group of people - actors, dancers, musicians, and artists. Their experience of the place unfolds like a tapestry to which the muses themselves then add their voice. The director plays with contrasting forms and styles, weaving music and language together. She reveals the interior and exterior in shifts of mood and ambience, presenting the viewer with an aural and visual feast.
With poetry by Samuel Taylor Coleridge, William Shakespeare, San Juan de la Cruz and Alexander Pope. Music by Andrew Peggie and Raiomond Mirza.
A collective film made with the London Bisexual Women's Group. It explores the idea of women and bisexuality through use of live action, animation and sound. A nine-minute experimental piece of work, which uses objects as a starting point in exploring bisexual identity.
ECONOMY OF EXCESS is comprised of footage of the sewage pipes of Essex, shot by a small robot camera that is normally used to locate blockages. The film creates an entrancing movement into the ever-expanding circles of a subterranean parallel universe, which mutates into a hypnotizing voyage of impressionistic colour and light.
Humble in its origins yet dazzling in its effects, this video epitomizes the way in which the work continually straddles the line between the sublime and the mundane, turning society’s excess into a spiritual initiation journey.
A personal account of Black community spaces in the UK, focusing on Caribbean diaspora.
By visiting the site of the former Keskidee Centre, that is now luxury apartments, the film considers the conditions which allowed this historical space to thrive.
Official Selection Third Horizon Film Festival 2025
Official Selection Hamburg Short Film Festival 2025
