The poem Kissing in hats is a villanelle, a verse form where the regular repetition of two key lines gives added urgency to what is being said.
The effect is intensified here by double tracking of the speaker's voice, as a moving path scans a drawing of World War Two lovers kissing in hats
before the men must board their train. This is a new version with the text of the poem on screen.
Shot in 2006 in New York's Metropolitan Museum of Art, the film tracks through the Near Eastern, African and Oceanic collections, offering fleeting glimpses of statues, bowls and historical artefacts.
Harmony and chaos meet in a mechanism of rythms and lights. The birth and death of a surreal environment in which familiar game-like rules drive the action's tightly synchronised evolution. A single oscillating dot becomes an abstract musical machine which plays itself using glowing orbs before exploding into particles which collapse together as the cycle completes.
From 12th-century China, to 21st-century London, a parable of life.
In Ten Bulls, Kim Bour has taken the Chinese master Kakuan's illustrated fable of the herdsman in search of the elusive bull, and presented it as modern epic of mankind's struggle for understanding.
Trapped by modern life, we sway aimlessly, seeking purpose and true satisfaction. Ten Bulls tracks one man's search for this truth.
Through rich sound design and flowing imagery, Kim Bour leads us through an almost meditative illustration of this timeless quest. Rich and mystical, yet controlled, Ten Bulls melds the harmony of Zen philosophy and film-making: the simplicity that we see all around us - a petal in a stream, a perfect circle - all blend in a modern meditation.
To find, we must seek. The unexamined life is worthless. 'I find the world in me'.
What really happens at a film premiere? 2EYESopen exposes the harsh reality on both sides of the red carpet; the intense adulation lavished upon the superstar while a person deemed unacceptable is dragged from the crowd.
