Night vs. light, music vs. motion, figuration vs. abstraction. Flowing, twisted tubes of light collide with dark pools of shadow in this nocturnal prowl through a neon cityscape. Created entirely from digital photographs.
This documentary tells the story of the protracted war in Chechnya from the perspective of Soviet and current Russian dissidents. Comparisons are drawn between the Chechen invasion and that of Czechoslovakia in 1968 and how the Chechen invasion helped to bring the ruthless KGB to absolute power in Russia today.
Silent Voices is based on interviews with over 100 people affected by domestic violence in the UK which have been translated into seven stories in the form of seven interwoven 'Talking Heads'-style monologues. Each character tells their extraordinary story of their relationships and the resultant impact on their lives and those around them.
This documentary presents the architectural concept of 'Cargo Fleet', which juxtaposes materials from the shipbuilding yards of the North East of England into the urban landscape of Islington. The house is revealed through the reflections of a group of people - actors, dancers, musicians, and artists. Their experience of the place unfolds like a tapestry to which the muses themselves then add their voice. The director plays with contrasting forms and styles, weaving music and language together. She reveals the interior and exterior in shifts of mood and ambience, presenting the viewer with an aural and visual feast.
With poetry by Samuel Taylor Coleridge, William Shakespeare, San Juan de la Cruz and Alexander Pope. Music by Andrew Peggie and Raiomond Mirza.
The Rest is Silence follows the journey of an unclaimed body on its progress from discovery to interment. Its focus is on those who guide the corpse through the necessary procedures. For the person who has become this corpse, it is a poignant progression towards a state of silence.
When Sid the Scarecrow is faced with his own gruesome demise, he realises he must act fast. With the help of a grumpy, old owl named Albert, Sid embarks on a quest to find a legendary scarecrow named Slash. Will Slash be able to save Sid from his terrible fate?
A collective film made with the London Bisexual Women's Group. It explores the idea of women and bisexuality through use of live action, animation and sound. A nine-minute experimental piece of work, which uses objects as a starting point in exploring bisexual identity.
Lahore with its collection of people becomes a character for this short documentary. The children of Lahore all have their individual lives and dreams like us all, but are burdened with extreme poverty. Waiting for Sunrise deals with the poor and dispossessed - and really the poorest of the poor in Pakistani (urban) society.
Waverley is an intimate portrait of an ageing woman whose ordered existence is disturbed by a random accident. The accident, seemingly insignificant, stirs up long-buried emotions within Waverley and forces her to confront her past and come to terms with her hidden demons.
ECONOMY OF EXCESS is comprised of footage of the sewage pipes of Essex, shot by a small robot camera that is normally used to locate blockages. The film creates an entrancing movement into the ever-expanding circles of a subterranean parallel universe, which mutates into a hypnotizing voyage of impressionistic colour and light.
Humble in its origins yet dazzling in its effects, this video epitomizes the way in which the work continually straddles the line between the sublime and the mundane, turning society’s excess into a spiritual initiation journey.
