Projects matching: Onyeka Igwe

Synopsis

This film explores what happened in the 1940s London when two women of different generations, but both fighting anti-colonialism, came together to put their fervour and imagination into writing a revolutionary play.
Official Selection BFI London Film Festival 2023 - World premiere
Official Selection International Film Festival Rotterdam (IFFR) 2024 - International premiere

Synopsis

Based on extensive historical research, the film is narrated by an imagined, enigmatic auteur whose fraught position as both a spy and gay man in the mid–20th century is troubled by sex, secrecy, politics and imperialism.

Synopsis

A film of three interconnected narratives – a story of the artist's grandfather, one of ‘the land’, and another detailing an encounter with Nigeria – which the film attempts to tell in as many ways as possible.
Official Selection International Film Festival Rotterdam (IFFR) 2020 - Bright Future - Ammodo Tiger Short Competition - International premiere

Synopsis

William Sellers and the Colonial Film Unit developed a framework for colonial cinema, slow edits and minimal camera movement, no camera tricks. In an effort to recuperate black dance from this colonial project, SPECIALISED TECHNIQUE, attempts to transform this material from studied spectacle to livingness.
Official Selection International Film Festival Rotterdam (IFFR) 2019 - Bright Future

Synopsis

A revision of the Aba Women’s War, the first major anti-colonial uprising in Nigeria, using embodiment, gesture and the archive.
The film is structured around the repurposing of archival films from the British propaganda arm, The Colonial Film Unit, cut against a gestural evocation of the women’s testimonies. 'Her Name in My Mouth' invokes the artist's own female ancestors in this filmic revocation of the Aba Women’s War that privileges the body as a site of knowledge.
Official Selection Rotterdam International Film Festival 2018 - International premiere

Synopsis

An essay video work examining contemporary Nigerian diasporic female identity through the contradictions inherent to an ethnographic reading of the funeral of the filmmakers’ family matriarch. Using personal archive to explore the concepts of female identity, diaspora, cultural memory and most importantly ‘fiction’.

Synopsis

Two filmmakers challenge themselves to get from London to Edinburgh with only their thumbs to guide them.They find most of their time is spent in a limbo of service stations and grassy verges. The drivers who are more game, however, offer insight into a country with a forever shifting landscape.