Projects matching: Simon Rumley

Synopsis

An intense, dramatic and sometimes humorous journey into madness, based on the tragic true story of a quinessentially English amateur sailor who takes part in a non-stop round the world race in 1968.

Synopsis

Composed of three disturbingly sensual and terrifying short narratives, unified by the twin themes of sex and death.

Synopsis

A 'slacker revenge movie' set in Austin, Texas.

Erica (Amanda Fuller) lives rent-free in the local co-op, but spends her nights trawling the bars and beds of Austin. Damaged, emotionally withdrawn, never really connecting with anyone, sleeping with men is just what she does - until she meets the older and mysterious Nate (Noah Taylor), working in a hardware store, but with an 'honorable discharge' from Iraq.

Despite his quiet air of danger, Nate's the only guy who doesn't seem to want to get her into bed at the first opportunity, and the two form a hesitant bond. But one of Erica's casual sexual encounters is about to bite back.

Franki (Marc Senter) is a young, hot-headed wannabe rock star trying to make it big. Looking after a sick mother and estranged from his longterm girlfriend, he 'shared' Erica with his buddies one drunken evening on the tiles. A shocking twist of fate is all it takes to throw his already crazy world into a spin, and in Franki's eyes there is only one person to blame.

Synopsis

Julia Parchant is a spinster who lives on an isolated farm in America's Mid-West. She advertises for a handyman to help her with the upkeep of her property in return for food and lodging. The itinerant good-looking but shifty Caleb Tucker gets the job and settles into life on the farm. Just as Julia starts to fall for his charms, news arrives that a serial killer is on the loose.

Synopsis

A provoking blend of European arthouse sensibilities combined with the tight plotting and disturbing violence of films by the likes of Shinya Tsukamoto, Chan-Wook Park and Kim Ki Duk, The Living And The Dead is a horrowing and hardcore British film that will genuinely unnerve its audience.

Synopsis

When Ali finds out that her boyfriend Mike has been unfaithful she ends their relationship. Now 'free' again she goes clubbing with her best friend but, just as they arrive, she sees Mike entering the club ahead of her. Undeterred, Ali decides to exact revenge by snogging any man she can find right under Mike's nose.

As Ali sets off on her mission to humiliate Mike, we encounter a further 30 characters all in search of a good time in Club le Monde. From Yas and Kelly who never leave the toilets as they gossip about contract killers, kissing cousins and constipation; to Anthony and Patrick, wide-eyed teenagers from the country-side, trying to score drugs and be a hit with the babes; to Mosh, the tough-nut bouncer, struggling with his sexual identity and desire to be a lawyer; to Chas who has pierced his nipples and tonight is determined to go further; to Mr. Sunglasses trying to connect in a very disconnecting kind of way; to three outrageous drag queens Tanita, Davida and Karina who realise they've come to the wrong place; to Danny, the club-owner, who gets fresh with his mate's wife and is about to get caught.

Synopsis

After 1997's Strong Language, The Truth Game is the second film in writer-director-producer Simon Rumley's trilogy about young people living in London. It takes that most mundane of social gatherings -- the dinner party for six old friends -- and turns it into a tale of secrets and lies that soon spiral out of control.



"The film is an investigation into what truth really is and whether or not it matters in society today," says Rumley. "I've always found it very interesting that the truth is something we're told should be adhered to but in fact the pillars of society who tell us to be truthful are actually the ones who are being



anything but.



"Writing and directing it the way I have means I'm saying, 'Look, here's a bunch of people and they're all getting on with each other but they're also all lying to each other'. The audience is the omniscient, all-seeing eye."



Strong Language, released in the UK earlier this year to critical plaudits, was, in fact, the second instalment but was rushed into production when financing for the first film, Club Le Monde, fell through.



Rumley kept the budget of his follow-up, The Truth Game, low, aware of the pitfalls of aiming too high with a second film. He teamed up with Piers Jackson, who financed it through his Screen Production Associates. Shooting began in October last year, with a large Georgian house in London the sole location.



Rumley is now on the verge of signing a distribution deal for the UK, something he was keen to do before taking the film abroad. "The support you get from a UK distributor can boost its chances internationally," he says.

Synopsis

An authentic, honest, illuminating, funny and explosive film, Strong Language is inspired by nineties youth culture. It uses a unique talking-heads style to tell a story of ordinary lives in an extraordinary place and time. Through a 'mock-umentary' type style of shooting, a narrator relates a night of terror that changes his life for ever. This is intercut with sixteen young people talking about their lives and experiences in London.


Topics range from Ecstacy, Aids and one night stands, to Britpop, racism, the police and all things affecting youth today. Strong Language combines entertaining and revealing insights with an unforgettable and unexpected chain of events.