APPLE GATHERERS explores the loneliness and dissatisfaction in a labour-intensive world of two main characters and the brief reprieve they have in moments of real human connection. The moment is fleeting, yet powerful - at the same time, it can be interpreted as the single strand that binds them to their drudgery. Set at the bottom of a hierarchical apple cider factory where every aspect of apple production is meticulously controlled, the Peeler and the Shoveller wrestle with management to hold onto their humanity.
When an overwhelmed single dad pig moves his piglets into a trailer park, he fears he's failed his family. But soon his kids create a wildly imaginative game, and Dad has a choice between dwell on the past or join them on their adventure.
Official Selection Annecy International Animation Film Festival 2025 - World premiere
Official Selection LA Shorts International Festival 2025
Official Selection BFI London Film Festival 2025
Didi moves into an unkempt house in the British city of Stoke-on-Trent. Whilst feeling ill at ease in this unfamiliar environment, she comes across a curious statue in the garden. This enchanting object helps Didi to appreciate the heritage of her new neighbourhood through an unexpected journey back in time.
Convention and sexuality are explored through slugs, rituals, and the eating of an orange.
Official Selection London Short Film Festival 2025 - World premiere
Official Selection Sundance Film Festival 2025 - International premiere
An animated exploration of diasporic female identity, inspired by the director’s Bété ancestry in central Ivory Coast.
Blending abstract storytelling with rich spiritual iconography, the film delves into feminine cosmology, folklore, and traditional artistry. Featuring copper motifs and intricate relief engravings, DÉDÉ reimagines West African sculptures through animation, bringing mythological deities, fertility carvings, and tribal masks to life in a visually striking journey.
Ampersand, 1978, re-purposes clips from a 1974 film I never completed. In Specto they are re-purposed again. The hot tungsten filament of a Specto film projector is a recurring image, along with re-worked clips of a troupe of actors performing Artaud’s Jet of Blood at locations in the city of Lincoln. You’ll see the cathedral and a dilapidated mill with UNSAFE 74 painted on its wall.
In a woodland glade, an exhausted mythical creature is suffering from insomnia. When a small, verbose forest sprite appears and offers a sedative, it sounds like a perfect solution, but the fatigued Wickywock is too impatient to heed the Sprite’s terms.
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements.
The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands.
The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface.
*From Deborah Levitt’s ‘The Animatic Apparatus’.
Official Selection BFI London Film Festival 2025
An emergent Artificial General Intelligence communes with her human progenitors through the uncanny persona of Melania Trump. Melania traverses deep time and space, encountering - among many others - a Supreme Being who looks a lot like Anna Wintour.
