Projects in categories: Artist Project and Video / Experimental

Synopsis

'Do you love me?', 'Yes', he said, and then - a colourful musical journey into the narrative of a woman’s tangled past, with magical glimpses of her present world and hopes for a liberated future.

Synopsis

This current work continues to explore the interrelation between body, space and movements. Conceptualized as a split-screen projection. A naked female figure enters into the low-lit studio space and starts a playful improvisation triggered by her magnified reflection projected on the floor. The work explores the complexity of reality and space. The place of the body in a fragmented multi-layered world. The piece has been inspired by Jean Cocteau's 'Orphee' (1950).

Synopsis

Five soldiers prepare and enact a performance that alludes to the aggressively physical games of the British public school. Art Deco locations reference imperialistic ambitions that have determined the role of the ‘soldier’, and that have led to the racism and violence ‘exhibited’ in the Abu Ghraib images.

Synopsis

The film explores themes in Rilke's poem - Orpheus, Eurydice, Hermes' . The narrative is concerned with the mental and physical experience of Eurydice while she is in the Underworld waiting to be rescued and is expressed through dance, drama and music.

Synopsis

Mi Piace is a film of made with the documentation of one performance to camera, where during a spurious singing rehearsal, the singer's body is progressively bound to test the changes in the voice. The film leaves ambiguity as to the exact nature of the events, which are presented as a diverse collection of documentation, hence suggesting a history. The singer is asked to perform repeatedly a popular aria (O Mio Babbino Caro), at each repetition (itself interrupted in mid flow at different points) the singer's body is bound, starting from the ankles, and proceeding upwards. The section isolated in the soundtrack Mi Piace, is part of the aria and means  like' or in its original context 'I would like to'.

Synopsis

Teenagers hang out by the floodlit running tracks at night.

Synopsis

A collaborative dramatic reworking of a 'psychedelically enhanced' excerpt from the award-winning film ‘San Francisco’. The carefree spirit of the original 1968 film is placed in a sobering and revelatory context through the juxtaposition of the original footage with audio drawn from the seminal events of that momentous year. Part of a multi-channel installation, presented here as a short film.

Synopsis

Vicki spent 4 months with 'access all areas' to the BBC’s million strong archive. This tells the story, through layers of A/V collage, of how the artist can bring about positive change in culture. The film portrays the playfulness of the artist/director, moving images, scenery and context with surprising results.

Synopsis

This triptych film uses archive industrial and documentary footage to follow the endless chug of the conveyer belt of life. Images of production lines, factories, and educational and creative industries, are sandwiched to illustrate the endless whirr of activity in our pursuit of meaning and happiness.

Synopsis

With the weather increasingly at the forefront of our news and media together with the idea that someone somewhere has their hand on the volume knob, End of the Street takes the original 19th Century Beaufort Wind Force scale and conjures a response, incrementally turning up the strangeness. Poet and broadcaster Ian McMillan produced the poetry specially. His interpretation of the wind scale transposes the action into the familiar surroundings of an average street. Imagemaker Andy Martin produces a mix of animated graphics, 3D, live action, photography and typographics all underpinned with a bespoke score by composer Robert Worby.

Synopsis

Performance film, The Challenge night show. With live acts, dance, live music, jamming and more. Filmed at the Masonic Hall, Hastings/St Leonards, East Sussex

Synopsis

An experimental essay film that contrasts two separate murder scenes from Alfred Hitchcock's "Psycho" and Mary Harron's "American Psycho" in order to make a statement about film censorship.