Projects in categories: Artist Project and Video / Experimental

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An odyssey across a common land in the south of England told through the hands of the members of the Natural History Society who currently occupy it.

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I AM ECHOBORG is a participatory dramatic experience created afresh each time by the audience having a conversation with an artificial intelligence. The production team built a real AI and the content and the outcome of the show depend on the words spoken by the audience and the AI.

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Awake or asleep? Alive or dead? What lies between? And who, or what, is that voice blurring lines between reality and fantastical nightmare?

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With shots of water supplied by volunteers around the world, International Waters is a poetry film about how we are all connected by water and it it to be valued because it will still be here after we have gone.

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In our turbulent times, silence seems like a necessary escape. This animated film evaluates this concept, looking in particular at one important figure in history who used this in an astonishing way to evaluate the world we live in. Official Selection VIS, Vienna Shorts Film Festival 2019

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Epoh Beech's hand drawn animation THE MASQUE OF BLACKNESS reimagines literature and explores the spirit of place. Guided by a winged horse and a grey seal you are taken on a magical, moonlit, journey from the Niger Delta in West Africa to the Thames and Rhine rivers in Northern Europe.

Synopsis

Exploring the status and potential of unrealised and fragmented histories from the legacy of Chilean filmmaker Raúl Ruiz (1941 – 2011) to animist cinematic traditions in Taiwan. The project takes as its starting point an unfinished film made by Raúl Ruiz in Taiwan in 1995. Based in Paris since the late 1970s Ruiz came to Taiwan to film THE COMEDY OF SHADOWS / LA COMEDIE DES OMBRES with a script inspired by the Taoist philosophy of Chuang Tzu’s' Wandering on the Way' and Luigi Pirandello’s 'Six Characters in Search of an Author'. The project was filmed at Chin Pao San cemetery with a Taiwanese cast and crew but never finished. The incompleteness of Ruiz’s film is the starting point for DOUBLE GHOSTS, that considers the echoes of this unrealized project to explore cinematic and political phantoms. Drawing on research and diverse collaborations with filmmakers Valeria Sarmiento and Niles Atallah as well as Chilote fishermen, the film is staged as a series of actions seeking to reactivate this lost film. Filmed on 35mm film in Chile and Taiwan, DOUBLE GHOSTS follows traces across the Pacific from Ruiz’s birthplace in Puerto Montt to the mountain cemetery in Taiwan. Official Selection International Film Festival Rotterdam (IFFR) 2019 Official Selection New York Film Festival 2019 - Projections

Synopsis

A young woman who lives in her thoughts goes back to the sea to centre herself. As she dives into the water, she dives under her skin and penetrates her psychological wrapping.

Synopsis

William Sellers and the Colonial Film Unit developed a framework for colonial cinema, slow edits and minimal camera movement, no camera tricks. In an effort to recuperate black dance from this colonial project, SPECIALISED TECHNIQUE, attempts to transform this material from studied spectacle to livingness. Official Selection International Film Festival Rotterdam (IFFR) 2019 - Bright Future

Synopsis

An experimental horror short that explores the modern disease becoming known as consumption. It follows successful product photographer Anna, who aims for a life filled with perfect moments, inspired by a constant stream of social media feeds, sponsored blogs and fairytales playing on her computer. Yet whenever alone Anna's beautifully curated life is taken over by a growing hunger, and she starts hearing disturbing organic sounds. She controls this by eating pretty things, yet the hunger and sounds become inescapable, until even the men she dates become consumable objects. Critiquing the insidious influence of advertising and corporations that has seeped into our digital lives. Made of endlessly looping cinemagraphs, it subverts a trendy online medium in order to reflect the impossibility of attaining everlasting perfection, something that we are socially conditioned to strive for. The film contains many hidden references, such as the myth of King Midas, pro-Ana online support groups and the Algonquin cannibal spirit Wetiko - a metaphor for society’s dopamine addiction and the inner void it creates. Anna's story also exists as an endlessly looping series of perfect moments here: instagram.com/annaeatspretty

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We all have a different rhythm. BACK AND FORTH is a dance about individual rhythms that go together, seem to clash or just stay separate.

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The first of three philosophical enquiries shot on the historic Isle of Thanet. Scenes from a coast where the Roman fleet is thought to have first landed in Britain. Screenplay, adapted from writings by Virginia Woolf and Raul Ruiz, in a language thought to be closest in sound to spoken Latin.