Projects in categories: Artist Project and Video / Experimental

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Bodily interventions on the surface of the filmstrip combine with intricate scratched animations to form a direct record of emotion.

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A poem about software and other neologisms. The letters of each word appear in a randomised sequence on screen.

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Nicky Hamlyn's celestial overtures The Transit of Venus I & II form a diptych document of this astronomical phenomenon, one shot in black in white in the United Kingdom, the other capturing a stunning Italian blush sunset (TIFF 2012).

Synopsis

Nicky Hamlyn's celestial overtures The Transit of Venus I & II form a diptych document of this astronomical phenomenon, one shot in black in white in the United Kingdom, the other capturing a stunning Italian blush sunset (TIFF 2012).

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Reflecting on colour, the anthropology of noise, our perception of listening, Vivarta alludes to early optical film experiments with sound and visuals, sometimes called 'colour music' and plays with the experience of a persistence of vision.

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The love story between a Woman and a... Spider!

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Economic times are tough, but Scottish business visionary Shona Campbell has an answer. Shona candidly relates the meteoric rise of her company, Circularity Thinking, and unveils the methodology behind their new business model, Thinking Inside The Circle. Extraordinary hula hooping combines with glossy corporate locations into a riotous business manifesto.  

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The film depicts one of the world's most notoriously private artist, Lucian Freud. At the core of the film is a sequence that sees Freud and dancer, Amy Hollingsworth in a dance of reminiscence; as though she is a memory of the remarkable characters that have passed through the studio.

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The Conundrum being, Do I live life my way or do I live life their way? The start of a new dawn finds David Yohannes Reeves asking himself this very question. It is a situation that requires some thought. Day to day life often thrusts us into precarious positions; that is confrontations with unpleasant despicable people, encountering behaviour that is selfish or deliberately harmful. No matter how seemingly inconsequential and trivial this negative act is, it should be responded too. Surely? But then again, probably not. Is it really worth exacerbating this awkward and possibly stressful situation further that it might escalate into full-blown violence? Again, probably not. But never to act to correct what is wrong? Is that right too? This is the conundrum. The film is the statement. Be concerned; be concerned by a man wearing fucking antlers.

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Emptiness is wistfully transformed in 99 Clerkenwekll road as the remnants of an empty shop provide the makings of an abstract light-film cum toy-solar-system.

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Real Insects, Real Drama, No CGI. Witness first hand the fight for survival and the unlikely co-operation these beautiful beasts display. Shot in a scale model of a human city, the man-size creatures display incredible humanity in their dramatic stories within their alien caste system.

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Short films inspired by and created to accompany all 12 songs on PJ Harvey's album Let England Shake (2011). An attempt to reveal a little more about the quiet Polly Jean.