Transit of the Megaliths
Synopsis
Details
- Year
- 2013
- Type of project
- Shorts
- Running time
- 20 mins 45 secs
- Format
- HD Video
- Director
-
Nicholas Brooks
- Producer
- Nicholas Brooks
- Editor
- Nicholas Brooks
- Sound
- Nicholas Brooks
- Assistant
- Laurence Stearn
Genre
Categories
Production Status
Production Company
Sales Company
Nicholas Brooks
W: www.nickbrooks.infoE: info@nickbrooks.info
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Arrastre
Director: Nicholas Brooks
Year: 2010
The title Arrastre denotes a drag in dance terminology, but is also the name for a crude apparatus used for pulverizing ore. Between choreography and a purely mechanistic series of random actions, Arrastre is populated by unfamiliar objects that are the protagonists in a drama with unknown parameters and driven by obscure forces.
Laitue
Director: Nicholas Brooks
Year: 2010
Laitue is a hand drawn film, tracing a brief journey from loss to a reunion of an unexpected kind. Two people are separated by time and space but nevertheless coincide in a series of movements which form a choreography of anticipation and unrest.
As Time Swallows Time
Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks
Year: 2025
AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.