The bride and groom to be arrive at the hotel to finalise the details for their wedding. During the meeting with the wedding arranger (the fourth emergency service) things take a turn for the different.
8.5 Hours is an intense, contemporary drama about one day in the working lives of four software workers in Dublin. On one particular Monday, each of the characters finds their lives are in turmoil and each undergoes a gruelling series of events between the hours of 9 to 5.30, the 8.5 hours of the title.
Set in and around the women’s prison at Millbank in the 1870s, Affinity is an eerie and utterly compelling ghost story, a complex and intriguing mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London’s most notorious gaols. Surrounded by prisoners, murderers and common thieves, Margaret feels herself drawn to one of the prison's more unlikely inmates – the imprisoned spiritualist Selina Dawes who weaves an enigmatic spell. Is she a fraud, or a prodigy? Sympathetic to the plight of the innocent-seeming Selina, Margaret sees herself dispensing guidance and perhaps friendship on her visits, little expecting to find herself dabbling in a twilight world of séances, shadows, unruly spirits and unseemly passions. By the time it all begins to matter the viewer will find themselves desperately wanting to believe in the magic.
A sequel to 1976's The Naked Civil Servant, An Englishman in New York tells the story of Quentin Crisp's years in self-imposed exile in New York until his death in 1999.
Francis is an account of the creation of a 9-year-old 'defective' animated character. As the draughtsman’s hand goes to work and Francis attains animated consciousness, his behaviour is observed and assessed by a child psychologist. The boy’s responses – initially slow and apparently flawed – develop in unusual comic directions as the examination progresses.
As his vocalisations begin to address the nature of his animated world and the psychologist continues to try and interpret his actions, it appears that Francis may ‘break out’ once and for all and become a ‘real’ animated character. Francis playfully addresses notions of construction and the role that language plays in interpreting, classifying and creating certain types. In an animated world populated by impressionable idiot figures, mischief-makers and oddballs with strange vocal mannerisms, Francis puts the cute but simple cartoon character into therapy for a case study of 'animated behaviour'.
'identities' charts the multicoloured, multicultural transgender community in Ireland. Five personal stories give shape to the vibrant, parallel worlds of Transvestism, Transsexualism, Drag, Sexual identity, and Gender Dysphoria.
Intercutting black and white interviews with fly on the wall footage, each character's daily experience is laid bare. Vivid art performances offer more abstract and deeply personal self-representation. Opening our eyes to the potential of existing in fantasy, reality is thrown into sharp relief. At its heart, this is a film about the human spirit. Overcoming stereotype and categorisation, the gender construct breaks open, allowing personality and human emotion a path to expression.
Peter Kandinsky, a freelance journalist and documentary film maker has decided to invest his own resources in a project - an interview with an openly gay politician and an ex-MP, Jeremy (Gerry) Robertson, to examine his personal life and views.
The viewers are led on a narrative journey - sometimes misleading sometimes mischievous - by ever evolving characters. Although the storyline is entirely fictional, the film is reflective of the youtube and myspace generation, where almost anyone can have access to publishing their own (including partial or deliberately misleading commentary) video films and online web contents.
Interview with a Politician is a fictional and yet racy, seemingly topical exploration of the ups and downs in mainstream politician’s life, as if through a stage-managed docu-drama.
Madrid 1922. A city wavering on the edge of change as traditional values are challenged by the dangerous new influences of Jazz, Freud and the avant-garde. Salvador Dalí arrives at university: 18 years old and determined to become a great artist. His bizarre blend of shyness and rampant exhibitionism attracts the attention of two of the university’s social elite - Federico García Lorca and Luis Buñuel.
Salvador is absorbed into their decadent group and for a time Salvador, Luis and Federico become a formidable trio, the most ultra-modern group in Madrid. However as time passes, Salvador feels an increasingly strong pull towards the charismatic Federico – who is himself oblivious of the attentions he is getting from his beautiful writer friend, Margarita. Finally, in the face of his friends’ preoccupations – and Federico’s growing renown as a poet – Luis sets off for Paris in search of his own artistic success.
Federico and Salvador spend the holiday in the sea-side town of Cadaques. Both the idyllic surroundings and the warmth of the Dalí family sweep Federico off his feet. Salvador and he draw closer, sharing their deepest beliefs, inspirations and secrets, convinced that they have found a kind of friendship undreamt of by others. It is more than a meeting of the minds; it is a fusion of souls. And then one night, in the phosphorescent water, it becomes something else.
A seemingly innocent kiss throws Federico and Salvador into the realms of the taboo. In the world of Spanish Catholicism, homosexuality is an affront against God and man. On their return to Madrid the two embark on an unspoken, secret affair. When Luis visits, he is appalled to realise that Federico is in love with Salvador. He leaves the city in shock rather than confronting his one-time friend.
Salvador visits Luis in Paris and returns determined to separate himself from both Federico and Madrid – Luis has convinced him that both are proving detrimental to his career. Federico, increasingly fearful of his emotions, now becomes terrified of the thought of losing Salvador. One fateful afternoon the situation escalates as, frustrated and manipulated, Federico has sex with Magdalena whilst Salvador watches. The episode leaves Federico distraught as Salvador becomes colder than ever and leaves for Paris.
Alone in Madrid, Federico struggles against his psyche, tortured by the damning implications of his own religious beliefs and the undeniable voice of his flesh. He is haunted by news of Salvador who is collaborating on a Surrealist film with Luis and has embarked on an affair with a married woman – Gala. Finally Margarita forces Federico to admit to himself his homosexuality and carry on with his life.
He departs for America, never expecting to see Salvador again.
Madrid 1936. Spain is teetering on the precipice of civil war. Federico, now a highly acclaimed and controversial playwright, receives an invitation to dinner from Salvador and Gala. But the hosts have a rather unusual agenda and the evening is a disaster. A week later, Salvador is hosting a party when he discovers that Federico has been assassinated in the outbreak of war. The walls of self-denial that surround the artist come crashing down as he realises, too late, the depth of his love for Federico.
A story of ritual, sexuality and relationships, through the life and work of one of the UK's most exciting dancers. Classically trained, Bharatanatyam in India and ballet in London, Mavin Khoo is a household name in many of the international opera houses and clubs of London through his diverse work.
