A short film about Autism and Police, featuring 2 autistic adults sharing their experiences with local Police in the UK . What are common misunderstandings ? What could be improved to help both the the Police and Autistic community?
A girl goes out of her way to pursue her crush, but as the two part ways at the train station, will she be able to finally reveal her feelings? This observational film draws us into the anxieties and uncertainties of a young girl as she comes into her own.
A moving portrait of the UK housing crisis, told through the experience of one family. Filmed over a year, Daisy-May is both director and daughter as her and her family fight to retain their dignity whilst they wait to be rehoused by the council. This is an extraordinary story of courage and determination, a story of family bonds which is both heart-breaking and life affirming, combining moments of tremendous tenderness and grit with some unexpected humour. HALF WAY offers an alternative narrative from the current exhausted media coverage of the housing crisis; it does not, and cannot, shy away from the harsh actualities of homelessness.
A conversational journey through the ongoing gentrification in a major borough of London’s East End. Previously a home for the poor and hub for a huge number of artists, Hackney has recently seen an extortionate rise in property prices, forcing a large part of the population to move further out.
When your memory fades, your grip on reality becomes fragile and the sense of self slowly slips away. In a synagogue hall in North West London, a group of elderly people gather to find release. Using music and song they try to reconnect with themselves. Through the poetic use of poignant personal photographs and carefully assembled voiced-over memories, this film takes us into the emotional heart of these people, coping with the onset of Dementia.
In 1943 a convoy of 120 left Treblinka and moved to the Northeastern part of Italy. They had completed Aktion Reinhardt and were ready to engage in anti-partisan combat in Trieste and Istria. Buried in silence, this is the story of an unknown concentration camp of the Axis.
Based on the 1940 South African trial of a traditional herbalist accused of 'untraditional behaviour, the film explores the ideological and commercial confrontation between two different yet intertwining medicinal traditions and their uses of plants, with slippages across gender and race.
New Year’s Eve in a Lesbos port. A filmmaker meets Noor, a young Syrian woman. They make a short film together with a phone.
Official Selection BFI London Film Festival 2016 - Debate Strand - World premiere
Neculai, Aurel and Raj all left their homes in Romania to seek a better life for their family.
Now, with their loved ones depending on them, they survive by creating sand sculptures on London’s streets, while thoughts of their children's futures keep them going.
Recreation of the inspiring life story of the late photojournalist, artist and activist Dan Eldon, who abandoned a comfortable life in London to document the struggle, heartbreak and hope of a war-torn and famine-ridden region of Africa.
Toronto International Film Festival 2016 - Gala Presentations - World premiere
Spending over a year in Lebanon on the borders of Syria, documentary directors Sophia Scott and Georgia Scott tell the story behind the news reports. The film is a reflection of the strange chaotic lives of the people living in the shadow of the Syrian war, giving an intimate look at how four Syrians, whose collective struggles constitute the new frontline of the refugee crisis, are trying to find ways to overcome the torment of their shattered lives. Interwoven through the film are the contributions of a German professor who works with the local Syrian and Lebanese communities in the north trying to build a new model for peace through interfaith dialogue and access to education for the displaced Syrian children. These are the Syrian people who we see in the news drowning in the Mediterranean.
These five protagonists are the people who will bring forward the global debate on the conflicts at hand from a human, rather than figures-based point of view.
