Quinn, a sexually confident young woman of mixed-race ancestry, struggles to find her footing in London after her mother’s death. On impulse, she decides to travel to South Africa in search of her estranged father after uncovering an old picture book they once created together.
When Quinn fails to find her father at his last known address, her journey begins to reflect the reckless patterns of her London life. But an unexpected turn leads her to a chance encounter with the charismatic South African, Harley. Offering her a ride into the outback, Harley pulls Quinn into an adventure that sweeps them from Cape Town’s electric nightlife to the vast, untamed rural heartlands, where they confront both external dangers and the deep-seated prejudices of the locals. As they navigate the twists and tensions of their journey, Quinn and Harley form an unbreakable bond. In the end, they realise that the answers they were searching for had been within them all along.
A tale of self-discovery, resilience, and the unexpected roads that lead us home.
Official Selection Edinburgh International Film Festival 2025 - World premiere
Mr X has been in state care most of his life. He builds extraordinary structures out of found objects. As he prepares to leave hospital, his objects become space vehicles to travel across society’s boundaries. He builds for us a vision of his new life.
In the divided town of Mostar, Bosnia and Herzegovina, a once renowned National Monument and Cemetery honouring young WWII partisan fighters is being destroyed by neo-fascist forces.
While most of the town dismiss it as a relic of communism and an enemy monument, a small group of determined relatives embark on a poignant quest to preserve their loved ones’ memories amid the ruins.
Official Selection Sarajevo Film Festival 2025
In 1995, a Louisiana college student discovers a disturbing truth about herself through a textbook, leading to revelations about a psychological experiment on twins. Her personal medical records expose lifelong lies from loved ones.
Official Selection SXSW Film & TV Festival 2025 - World premiere
Official Selection Thessaloniki International Documentary Festival 2025 - European premiere
Official Selection CPH:DOX 2025
Official Selection Sheffield DocFest 2025
In August 1990 Saddam Hussein invaded Kuwait, triggering a war that would reshape the geopolitical landscape of the Middle East.
This documentary charts the extraordinary story of the passengers and crew on BA flight 149 who landed in the warzone on the morning of the invasion, becoming Saddam’s hostages in a rapidly escalating international crisis.
For decades the British government denied they knew the invasion had begun before the plane landed. Then in 2023, an MI6 officer broke his silence contradicting this official account. The hostages are now launching a legal case against the British Government and British Airways in their search for the truth about why the plane landed in the first place.
Official Selection SXSW Film & TV Festival 2025 - World premiere
"I choose not to bring this into our home.”
“Well it is in our home, isn’t it?”
Newlyweds Jeremy and Norah have recently moved to Ashford, Kent, where they’re trying to start a family, guided by their friendly and punctual fertility app, Try-cycle. Norah, a teacher in a local school, is deeply immersed in the news and social media landscapes, finding validation and purpose through her online interactions. Meanwhile Jeremy, a doctor in a London hospital, yearns for a life less impacted by the plight of others, seeking technology to numb himself from modern day life through the dopamine hits of swipes and likes.
As both local and international events take place with direct implications for the couple, Jeremy prefers not to know what is happening, choosing not to read the news at all. But Norah does, a lot. As Norah consumes more and more news, eventually, will it consume her?
In a world more globally linked than ever, this thrilling psychological drama explores the role of empathy, where the couple's social media consumptions, communities and world views, differ drastically. A heartfelt exploration of love, loneliness and humanity, when we can't switch off in an “always-on” digital age.
Exploring how war becomes spectacle in the age of endless scrolling. Following a group of young Ukrainians as they watch their country’s destruction unfold online, the film blends vérité intimacy with experimental absurdity to reveal how social media is reshaping our relationship to trauma, detachment, and the limits of empathy.
In 2024, 82 people are known to have died crossing the English Channel while seeking safety in the UK - the deadliest year on record. This film offers an evocative contemplation on the politics and spatiality of bordering, archiving the sites, textures, and tactile architecture of the border in the port town of Dover, confronting how borders inhabit and shape our relationship to place.
Two teenage girls have to confront what they've left behind, before they can come to terms with where they're going.
15-year-olds Doe and Muna are going on a trip. Two girls from a dead-end seaside town, they board the train to the airport excitedly. Quiet, watchful Doe hasn’t gone anywhere since arriving in the UK the age of 3 as a refugee at from Somalia. Badass Muna, of Pakistani heritage, is the dominant force... These girls are not going on holiday, but to Istanbul, to be met by a chaperone who will take them to the Syrian border to start a new life. Disaster strikes in Istanbul when their chaperone doesn’t show. Out of their depth, they formulate a new plan to continue their journey alone. Experiencing different slices of life in the city, their resolve, faith and friendship are tested.
Official Selection Sundance Film Festival 2025 - World premiere
Official Selection Edinburgh International Film Festival 2025
The story of two full-of-life, lonely and desperate strangers. One has risked his life to come to the UK to seek asylum; the other is a bold, vivacious woman clinging on to life, looking bleakly to her future whilst not quite being able to let go of her chaotic past. Jostling between comedy and heart-breaking moments of vulnerability, our story treads the fine line between pathos and humour, where human nature and tragedy are just a part of everyday life.
Cindie is jobless, childless, and her life has been spiralling - addicted to her love of a party, vaping and drink. A working-class woman about to turn 40 and at her lowest ebb, she’s offered a lifeline via a sham marriage by fixer Amel - to a political refugee, Tariq, 27. In 2025, the number of people crossing the Dover Straits to the UK to seek asylum has doubled to around 60,000; this number continues to rise.
A story about drag, immigration, class and true friendship. And so much more than that - it’s a love story, a modern fairy tale, and love is something we can all relate to regardless of sex, race, or religion – love is universal.
Five lives, one city, the fate of a nation at war. A civil servant, a tea lady, a motorbike medic and two street boys, five stories weave together in search of freedom through dreams, revolution, and civil war from the metropolis of Khartoum Sudan to escape in East Africa.
In 2022 four Sudanese filmmakers, in collaboration with a British director/writer, began documenting the lives and dreams of five citizens in Khartoum. After a military coup brought down the civilian government, a war broke out between the army and the RSF militia that displaced over ten million people. Filmmakers and subjects escaped to East Africa and determined to continue the film another way.
This film is a lyrical and cinematic window for global audiences to emotionally connect into the lives and dreams of the everyday people of Khartoum at a pivotal moment in African history.
Official Selection Sundance Film Festival 2025 - World premiere
Official Selection Berlin Film Festival 2025 - European premiere
Berlin Film Festival 2025 - Berlin Film Festival 2025 - Winner - Peace Film Prize
"The Sight is a Wound" confronts the impossibility of image-making in the face of genocide. Through the burning of over 50 paintings, the film interrogates the ethical failure of aesthetics, where witnessing collapses into complicity. It is an act of refusal—excavating absence, exhaustion, and the limits of representation.
