BECOMING PLANT follows six dancers who participate in a therapeutic group experiment with psychedelics, while temporarily ‘living’ together on the demilitarised industrial site. While they are subjected to the plant’s consciousness and to each other’s presence, they perform a choreography, aligning their naked bodies with each other and with the architectural ruins. The film serves as a catalyst to discuss wider social and relational issues such as science, spirituality, psychiatry, healing, healthcare and the problems of collective depression and trauma resulting from living in the age of Late Capitalism. Featuring a specially composed soundtrack by London based electronic musician and visual artist Gaika.
Two young soldiers across enemy lines fall in love and find escape from their oppressive environments in this musical drama.
Official Selection Clermont-Ferrand International Short Film Festival 2023
A multi-sensory joyride into the past, bringing to life the stories of the promoters, police officers, and rave-goers, whose rivalries and relationships drove a revolution in music and society. Multi-sensory room-scale interactive VR enables participants to feel the anticipation, trepidation, excitement, and euphoria that was Acid House.
Official Selection BFI London Film Festival 2022
Official Selection IDFA 2022 - Winner, DocLab Award for Immersive Non-Fiction
Official Selection SXSW Film Festival 2023 - XR Experience Spotlight
Official Selection Clermont-Ferrand International Short Film Festival 2025
In 1968, art students Storm Thorgerson and Aubrey “Po” Powell made a trippy photo collage for their musician friends Syd, David and Roger. The resulting album and album cover, 'A Saucerful of Secrets', helped launch two careers: that of Pink Floyd, one of the 70s megabands, and of Hipgnosis, which, over the course of the next 25 years, designed a stream of iconic album covers. Photographer, filmmaker and designer Anton Corbijn fills his Hipgnosis history with case studies of album art from Pink Floyd’s 'Dark Side of the Moon', considered by many to be the greatest album art of all time, to Led Zeppelin’s mind-altering 'Houses of the Holy'. Fuelled by Powell's vivid storytelling, Corbijn captures the energy of a team making iconoclastic art amidst one of the most hedonistic eras in music history.
Official Selection Telluride Film Festival 2022 - World premiere
Official Selection Sundance Film Festival 2023
A film about the handful of streets around the Cowgate, Edinburgh, which have long housed a proud Irish diaspora. A film about folk music and its power to connect people.
Musician Aidan O’Rourke, from the celebrated folk trio Lau, lives in the heart of Edinburgh’s Old Town. During lockdown, Aidan got to know three of his octogenarian neighbours, all called Margaret, and listened to their stories. Aidan brings together a group of sensational Irish and Scottish folk musicians and explores through music and storytelling what home and belonging mean.
Featuring a stunning original soundtrack by O’Rourke and live performances by Liam Ó Maonlai, Brìghde Chaimbeul, Comac Begley, Róisín Chambers and Aoife Ní Bhriain.
Aidan O’Rourke is a fiddler and composer. Raised in Argyll, his roots are Scottish and Irish but his music roams the edges of those traditions.
Becky Manson is a filmmaker from Orkney. Interested in routine, repetition, and ritual, she tells small stories that speak to universal themes.
Mark Cousins has directed twenty feature films. His themes are cinema, cities, recovery, walking and looking. Among many he has won the Prix Italia, the Stanley Kubrick award, the EFA's Innovation award, a Peabody.
An immersive 360 experience created by Human Studio interpreting three scenes from an original short story by Nick Bax.
The Neon Pack is a Protopian Tale which takes place in a very near future where XR technology is seamlessly fused into our everyday lives, enhancing even the most mundane of activities.
The project was commissioned by Hope Works and match-funded by XR Stories (University of York) and attempts to provoke thought and discussion regarding the development and proliferation of XR technology and content.
To date, ‘The Neon Pack’ has been exhibited at Sónar+D (Barcelona, 2023), the Immersive Futures Lab, SXSW, (Austin, Texas, 2023) and BEYOND, Cardiff City Hall (2022). An augmented reality iteration of the project was also displayed in Sheffield city centre until 2025 as part of the ‘Look Up’ AR artworks project.
The Neon Pack features original soundtrack by 96 Back on CPU Records.
A euphoric record of Sheffield-based Studio Electrophonique, which nurtured a generation of superstars such as ABC, The Human League, Heaven 17, Clock DVA and Pulp.
Official Selection Sheffield DocFest 2022 - Rhythms - World premiere
A found fragment of Alla Nazimove dancing in Salome (1922) was the starting point of this collaboration with dancer Ino Riga. HORSE (SIRENS) looks at the act of storytelling, performance and recalled experience. Ostensibly a pas de deux, it narrates a navigation of the self, the fragmentation of memory and time travel from past and present.
Popstar Oliver Sim is the main guest of a talk-show that soon slides into a surreal journey of love, shame and blood. A three-part musical short.
Official Selection Cannes Film Festival 2022 - Critics' Week Special Screening (Short Film) - World premiere
Alone in her apartment a woman, Elle, is waiting for a phone call from her ex-lover (Monsieur). Elle receives two wrong numbers before he calls. The couple discuss their past relationship, Elle blames herself for their problems, claiming, "Tout est ma faute.". Throughout their conversation they experience numerous telephone problems and finally their connection cuts out completely. When Elle calls Monsieur’s home phone she discovers that he is not there, she assumes he is at a restaurant. He calls her back, and Elle reveals that she has lied during their conversation; she took twelve sleeping pills in an attempted suicide, then called her friend Marthe, who arrived with a doctor to save her. Elle grows suspicious that Monsieur is with his new girlfriend, but he never admits his whereabouts. Elle reveals her obsession with the telephone, she has slept with it in her bed for the past two nights. Their connection fails once again, and Elle panics. Monsieur calls her back once more, and Elle informs him that she now has the telephone cord wrapped around her neck. Telling him she loves him over and over. She sinks into her bed and drops the receiver.
