The classic story of Peter and The Wolf comes brilliantly to life in this animated film, recounting a magical world in which little boys can find the strength and courage to overcome their fears and the ever-present dangers that surround them.
1974. Power cuts, strikes and boot-boy aggro on the terraces. Flares, Chopper bikes and beer at fourteen pence a pint. Joe McCain, 17 and restless, is bored with the flatline tedium of a life that seems like it's going nowhere, and a best mate he's drifting apart from.
Enter Jane, moving to the beat of a music that Joel's never heard, a vision of loveliness who opens the door to a whole world of sound, sex, and all-nighter dancing at The Wigan Casino - the home of Northern Soul! Swept along on this tide of pulsating dance and lust, Joe finally finds somewhere he belongs, and the acceptance and true love he yearns for.
Ever wondered what men get up to alone at home? More than a few great minds have worked up a head of steam over this one.
Here is a surprisingly sexy hymn to domesticity and the male state.
The stranger-than-fiction true story of the rise and fall of a true British pop pioneer is a satirical and often comic drama revealing the many sides of Joe Meek. Set in the London music scene of the early 1960s, Meek began his career with a bang, producing UK and US #1 hit 'Telstar', the biggest selling record of its time. From an apartment on the Holloway Road, Meek went on to create the strange and wonderful recordings that have made him an iconic figure in the world of British pop.
Previously unseen footage of Blind Faith’s famous first performance at a free concert in Hyde Park in 1969 incorporating footage of the director Anthony Stern and his friends in the park that day. The sense of the film is as a poignant reflection on the ‘end of an era’, the drawing to a close of the ‘golden idealism’ of the 1960’s.
We follow an eccentric local London character as he listens to his walkman and dances his way around town. While everyone else searched for the X factor he just loved the music.
On October 12th 1978, New York Police discovered the lifeless body of a 20 year-old woman, slumped under the bathroom sink in a hotel room. She was dressed in her underwear and had bled to death from a stab wound. The woman was Nancy Spungen, an ex-prostitute, sometimes stripper, heroin addict, and girlfriend of Sex Pistols' bassist Sid Vicious. In a trial by tabloid newspapers Vicious was pronounced guilty before noon the following day. But the case never had the chance to be brought to trial, and a number of New York cops weren't convinced. Less than six months later in a flat in New York's Greenwich Village, Sid, himself aged only 21, died of a heroin overdose. For the next 28 years the assumption was that Sid did it - case closed.
Over time, the death of Sid and Nancy has passed into rock legend and has only added to the controversial and notorious image of the Sex Pistols and punk music. At the request of Sid's mother, who committed suicide in 1996, rock author and punk expert Alan Parker has devoted himself to discovering what really happened in room 100. Parker has re-interviewed 182 people, re-examined NYPD evidence, and gone back to his original interviews with Sid's mother.
'Do you love me?', 'Yes', he said, and then - a colourful musical journey into the narrative of a woman’s tangled past, with magical glimpses of her present world and hopes for a liberated future.
Whilst watching Chunky pretend to be sick on The Goonies, Ladyscraper starts to be sick all over his appartment. He starts to take off his clothes but he continues to be sick outside, on the street, in car parks, green lanes and canals - until he sees Chunky's clothes lying, abandoned in a park. When he puts the clothes on he feels much better.
This current work continues to explore the interrelation between body, space and movements. Conceptualized as a split-screen projection. A naked female figure enters into the low-lit studio space and starts a playful improvisation triggered by her magnified reflection projected on the floor. The work explores the complexity of reality and space. The place of the body in a fragmented multi-layered world. The piece has been inspired by Jean Cocteau's 'Orphee' (1950).
The film explores themes in Rilke's poem - Orpheus, Eurydice, Hermes' . The narrative is concerned with the mental and physical experience of Eurydice while she is in the Underworld waiting to be rescued and is expressed through dance, drama and music.
