Up until now, the list of people I’ve kissed in the dark has been comprised of two names. Both male. But with the witching season approaching, all that is about to change.
Official Selection Hamburg International Short Film Festival 2022
Sarah and Dev meet in this quirky comedy clash of black and indian cultures cultures leading up to a mixed race marriage. Will their marriage stand the test of time?
In a dystopian Britain flooded by climate change, Arya is raised as a militant racist on an isolated island. When a mixed race stranger arrives, she sees the monstrous truth of her world through his eyes. Arya must decide between freedom and justice, and the only home she’s ever known.
Official Selection Austrian Filmfestival 2022 - Winner - Genre Award Best Sci-Fi Fantasy
In this unfiltered portrait comprised of prose and pirouettes, Marie-Astrid Mence narrates her uncomfortable journey from adolescent to ballerina and her struggles in an industry that fails to see past her skin colour.
A woman from the city has a brief but life-changing connection with a hill farmer and the landscape in remote mid-Wales.
Official Selection Cork International Film Festival 2020 - World premiere
Premiers Plans D’Anger Festival 2021 - Winner - Grand Jury Prize, Best European Short Film
A mixed media piece integrating the stylization of documentary and spoken word. Inspired by Shenny de Los Angeles’ one-woman show “What Happens to Brown Girls Who Never Learn How to Love Themselves Brown?”, this piece invites you to witness the meaning of beauty through three generations of Dominican women. The grandmother, the mother, and the daughter. In learning about the ritual to beauty that was passed down to each woman, there is a pain buried deep in the denial of their blackness. It is only through the secret voice in the water, that the daughter is able to release herself from a pain she’s been holding onto since she was born. By forgiving herself and the women before her, will she finally see just how beautiful she is when she’s free?
Official Selection BlackStar Film Festival 2022
An Australian woman moves across the world to be with a man who she considers her soulmate. On a surfing trip to Devon, she comes to terms with their incompatibility and makes the decision to leave.
John likes routine. He comes back home one day to find his wife gone. He pretends that she still lives with him and over time, settles into this new life. Will anyone find out that his wife has left him? How long will he continue the charade?
An animated short about charting the unknown within our own minds, human fragility and high tech surgery, longing for home, and fishing. WHITE OUT is made through drawing and animating handprinted photograms, incorporating nautical charts, digital drawing and plates from the 'Schaltenbrandt Atlas for Stereotaxy'.
A psycho-acoustic exploration of electronic music pioneer Delia Derbyshire.
"Radio was the most important thing in my life and music, music, music!" A true pioneer in audio exploration and psycho-acoustics, Delia Derbyshire conceived one of the most familiar compositions in science fiction, the Doctor Who theme, while working in a BBC basement. Her soundscapes felt like they connected to another realm. Kicking off with the discovery of 267 tapes in an attic, along with a treasure trove of journals hidden in her childhood bedroom, this film tunes in to Derbyshire’s frequency; that of a life-long non-conformist, whose peals of laughter in an archive interview tickle with delight and eccentricity. Featuring a rich archive, interviews, fictional embodiment and Cosey Fanni Tutti’s psycho-sonic channelling, director Caroline Catz traces acoustic pathways on her archeological dig into Derbyshire’s resonant life. (LFF brochure copy)
Official Selection BFI London Film Festival 2020 - World premiere
In #FollowMe we meet women in or from Iraq, who are using social media to challenge norms and traditions in their country. They risk their lives to promote an empowering image of Arabic women, educating and inspiring their followers. As a consequence of their actions, some of these women are forced to flee Iraq to stay alive. During the making of this documentary, a revolution breaks out in Iraq; the stakes are raised and we embark on a perilous journey with the women as social media becomes their weapon, not only against a deeply repressive and male-dominated society but also against their government. The film experiments with building up an online world discovering their personal stories through Skype conversations and social media platforms. #FollowMe gives a different insight into a world of young Iraqi women that is not widely presented. Additionally, it shows the Iraqi Revolution from a different perspective than that presented by the news.
