Ray is an Olympian, a synchronised swimmer who at 30 still lives at home. She’s spent little time doing anything but training, and when an accident knocks her confidence, she becomes aware just how limiting her life choices look. Answering an ad for a lodger by a cash-strapped couple, Gemma and Kieran, she moves in. The three immediately clock an instant, electric attraction. It makes all of them very excited, but also very nervous.
Official Selection Berlinale 2020 - Berlinale Series - World premiere
Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them.
Official Selection Sundance Film Festival 2020 - Midnight - World premiere
A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who cross her path.
Official Selection Sundance Film Festival 2020 - Premieres - World premiere
An intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn and her cousin Skylar embark on a brave, fraught journey across state lines to New York City.
Official Selection Sundance Film Festival 2020 - US Dramatic Competition - World premiere
Official Selection Berlin International Film Festival 2020 - Competition - International premiere
The starting point for this video piece is an image of artist Maryam Jafri's sculpture 'Anxiety', that has been turned into a stock photo for licensing on a major photographic agency's website without the artist's prior knowledge or permission.
A voiceover traces the work’s trajectory from a readymade sculpture for sale at an art fair to a stock photo for licensing online and finally, to a video commissioned by a Kunstahalle, a space meant to guarantee the autonomy of art. The work reflects upon the role of originality, artist labour and copyright in our culture of sampling and remixing.
Official Selection International Film Festival Rotterdam (IFFR) 2020 -Bright Future
A monster film with no monsters. Inspired by the existence of taxonomies of monsters at the heart of Early Modern European science, the film explores and reinterprets a way of seeing the natural world that is almost impossible to imagine from today’s vantage point. Early Modern naturalists were guided by a logic in which scientific truths were discovered through visual analogy. The word ‘monster’ comes from the latin ‘monstrare’, meaning to show, to reveal, to demonstrate. A DEMONSTRATION picks up on these themes in a poetic exploration of the boundaries of sight and the metamorphosis of form.
Official Selection Berlin International Film Festival 2020 - Berlinale Shorts - World premiere
Across countries and over years, Noura and Machi search for answers – their loved ones have been forcibly disappeared in Syria. With no information to anchor their limbo, hope is the only thing they can hold on to.
A day in the lives of a 12-year-old kid with special needs and his 14 year-old-sister, when she chooses to be the motherly figure in her brother's life, unlike all the days up until that moment, when she thought it was forced on her.
Sandra (Dunne), on the surface of it, is a young Mum struggling to provide her two young daughters with a warm, safe, happy home to grow up in. Beneath the surface, Sandra has a steely determination to change their lives for the better and when it becomes clear that the local council won’t provide that home, she decides to build it herself from scratch.
With very little income to speak of and no savings, Sandra must use all her ingenuity to make her ambitious dream a reality. At the same time, she must escape the grip of her possessive ex-husband and keep him away from her and her girls. The lionhearted Sandra draws together a community of friends to support her and lend a helping hand and it is the kindness and generosity of these people and the love of her young daughters that help rebuild her own strength and sense of self.
Official Selection Sundance Film Festival 2020 - World premiere
Official Selection BFI London Film Festival 2020
In patriarchal Nepal, Belmaya, at 21, has given up on finding happiness. An uneducated Dalit, with an oppressive husband and baby daughter, she yearns for freedom. Rewind to 2006, when she was a rebellious teenager living in a girls’ home. Grabbing the chance to learn photography, she wanted to change her world. But the home locked away her camera.
I Am Belmaya follows her transformational journey from 2014 as she once again picks up the camera, this time to train as a documentary filmmaker. But are her husband and community ready for this? Struggling against violent opposition, Belmaya makes a personal film, Educate Our Daughters, which wins hearts and awards, taking her to places she never dreamed she would go.
An 8-minute animated short set over two time periods. In 1999 a boy becomes obsessed with the Y2K bug; In the distant future a girl is learning to be a priest in a religion based upon the ‘artifacts’ left behind by the boy. The people in the future speak in a partially understandable dialect of English that has evolved over time.
The cult of personality is terrifying, insane and at times hilarious. We are interested in how humans fabricate meaning and place their most deep-seated fears in the most unlikely of gods. The Year 2000 was simultaneously the beginning of the future, and the end of world. NEW YEAR is a humorous film that looks at humans struggling with their mortality, over thousands of years, through stories, ritual and religion.
Ominous cinegrams of Albrecht Dürer’s 'Melencolia' print intercut, like cascading scythes, with depictions of a woman in a field, evoking repetitions that exist in harvest rituals, as well as in gestures of madness. Spectres of familial anxieties creep into this loose take on the myth of Poludnica (noonwraith or Lady Midday), a Slavic harvest spirit that could cause madness in those who wandered the fields alone.
