Based on Stanley Morgan’s multi-million selling character Russ Tobin (which to-date has sold over 10 Million copies Worldwide) the comedy musical Make Way For Tobin is a homage to Britain’s golden era, the 1960’s when the dreams were high and the skirts were even higher. Ever on the look-out for that rung that will help him up the ladder to fame and fortune, Tobin believes his big break has finally arrived when he gets the job of maintenance man at the fabulous apartment block Wisteria Court, residence of the very rich and famous. Alas, Russ quickly discovers the chasm that inevitably separates our fantastic dreams from harsh reality. Wisteria Court, it transpires, is a seething seedbed of eccentric silliness, an asylum of anarchic asininity. One day the world may well Make Way For Tobin - but it sure as heck won’t be today!
A story of ritual, sexuality and relationships, through the life and work of one of the UK's most exciting dancers. Classically trained, Bharatanatyam in India and ballet in London, Mavin Khoo is a household name in many of the international opera houses and clubs of London through his diverse work.
One-man band conjures up images of tuneless street entertainers with drums on their backs and cymbals on their knees, whereas contemporary one-man bands are diverse and vibrant in their musical output. They are more than just solo performers: a one-man band brings to the stage noise and spectacle worthy of a whole band. However, unmediated by creative collaboration, the result can have a peculiar intensity verging on the downright eccentric.
This feature documentary follows a selection of contemporary one-man and one-lady bands from Europe and the USA. Their musical output often defies categorisation, ranging from theremin rock to hurricane drum solos and a backing band made of bicycle wheels. Rather than mocking the musical excesses on display, the documentary takes an intimate approach - helped by the fact that it's a film about one-man bands made by a one-man band filmmaker. As it becomes clear that life on the road for a one-man band is a journey into solitude, so the documentary asks the question: what drives us as humans to create, and is it worth the pain.
Out of Idaho is a 22 minute documentary profiling the New York based rock n roll singer/songwriter Jake Stigers. The film profiles Jake’s past, present and future through a highly paced montage of interviews, UK gigs and recordings from the USA.
The classic story of Peter and The Wolf comes brilliantly to life in this animated film, recounting a magical world in which little boys can find the strength and courage to overcome their fears and the ever-present dangers that surround them.
1974. Power cuts, strikes and boot-boy aggro on the terraces. Flares, Chopper bikes and beer at fourteen pence a pint. Joe McCain, 17 and restless, is bored with the flatline tedium of a life that seems like it's going nowhere, and a best mate he's drifting apart from.
Enter Jane, moving to the beat of a music that Joel's never heard, a vision of loveliness who opens the door to a whole world of sound, sex, and all-nighter dancing at The Wigan Casino - the home of Northern Soul! Swept along on this tide of pulsating dance and lust, Joe finally finds somewhere he belongs, and the acceptance and true love he yearns for.
Ever wondered what men get up to alone at home? More than a few great minds have worked up a head of steam over this one.
Here is a surprisingly sexy hymn to domesticity and the male state.
The stranger-than-fiction true story of the rise and fall of a true British pop pioneer is a satirical and often comic drama revealing the many sides of Joe Meek. Set in the London music scene of the early 1960s, Meek began his career with a bang, producing UK and US #1 hit 'Telstar', the biggest selling record of its time. From an apartment on the Holloway Road, Meek went on to create the strange and wonderful recordings that have made him an iconic figure in the world of British pop.
Previously unseen footage of Blind Faith’s famous first performance at a free concert in Hyde Park in 1969 incorporating footage of the director Anthony Stern and his friends in the park that day. The sense of the film is as a poignant reflection on the ‘end of an era’, the drawing to a close of the ‘golden idealism’ of the 1960’s.
We follow an eccentric local London character as he listens to his walkman and dances his way around town. While everyone else searched for the X factor he just loved the music.
