Ding Ling, a research scientist who fled Indonesia in the wake of rising sea levels, disembarks from the cargo ship on which she had been living. She moves onwards to explore new/old territories, revealing something of her past in Indonesia and China via Singapore.
The episode DING LING AND SENAIT is a moment in Shezad Dawood's episodic film series 'Leviathan Cycle', shifting the narrative from one of breakdown and fragmentation to a focus on methodologies for surviving the future.
Two men share their experiences of working in the food industrial complex, challenging our traditional ideas of food production. Dealing with a patriarchal paradigm in crisis, disjointed offers a performative space to heal from trauma: work movements become a way of embodying the inaccessible.
WASTOPIA is a short animated film exploring the issues surrounding global attitudes to waste disposal and the environment pollution the inevitably follows. The film indicates a visual journey based on an otherworldly place inhibited by strange creatures and the products of what humans discard.
EVE is an intimate story of a 9 year old girl called Eve, living in one of the oldest off-grid communities in the UK. Follow her journey returning to school and becoming a young climate activist.
Rural England. An immigrant doctor fearing deportation lives off grid. While scavenging in the forest, he stumbles upon a man, barely alive. The doctor takes the stranger back to his cabin to nurse him. Their opposing political ideals, pit them against each other. The stranger voted to leave. The doctor wants to remain.
A modern satire on aristocracy, competition and extinction, drawn from a sixteenth century musical curiosity about a king killing for sport.
British vocal ensemble I Fagiolini sings Janequin’s La chasse (1537), complete with hunting sound effects, and plays a royal family determined to reign supreme.
A rumination on the cause and effect of climate change, using the medium of the collage film, and accompanied by a strong degree of musical counterpoint.
A fantasy-doc about love loss and deep sea mining, SOUNDINGS features two accounts of the future: one of corporate-technological progress and the other of species extinction.
Three-time Academy Award® nominee Johnny Depp plays celebrated war photographer W. Eugene Smith in a real life David vs Goliath story, pitting Smith against a powerful corporation responsible for poisoning the people of Minamata, Japan in 1971.
New York, 1971. W. Eugene Smith (Johnny Depp) is a celebrated photo-journalist and photo-essayist, but he feels devoid of inspiration. He is at such a low ebb he even considers suicide. Then a Japanese-American woman Aileen (Minami) shows up to convince him to come to the Japanese coastal city of Minamata, whose community has been ravaged by mercury poisoning, the result of decades of gross industrial negligence by Japan’s Chisso Corporation.
Eugene eventually agrees to go, with the reluctant and secret support of Life Magazine head Robert Hayes (Bill Nighy). With Aileen, Smith immerses himself in the community, documenting the people’s efforts to live with Minamata Disease and their passionate fight to achieve recognition and compensation from Chisso. It is a life-changing experience — one which brings Eugene redemption, love, new purpose and his greatest-ever photograph. A photograph that will change the world and provide desperately needed fuel to the fledgling environmental protection movement.
'Minamata' is a moving redemptive story of how one man’s powerful photograph impacted the world, yet in order to find it he had to open his heart.
Official Selection Berlin International Film Festival 2020 - Berlinale Special - World premiere
Since the 1950's wireless signals have been banned in Green Bank to protect its radio telescope from interference. With no cell phones and no wifi, the small Appalachian town has attracted a number of people that claim to suffer from Electro Hypersensitivity seeking respite from the modern world. This is the story of the peculiar relationship between these people, the small town folk, and the massive radio telescope in the middle of it all, aimed at the sky above.
Official Selection IDFA 2020 - Competition for Mid-Length Documentary - World premiere
A monster film with no monsters. Inspired by the existence of taxonomies of monsters at the heart of Early Modern European science, the film explores and reinterprets a way of seeing the natural world that is almost impossible to imagine from today’s vantage point. Early Modern naturalists were guided by a logic in which scientific truths were discovered through visual analogy. The word ‘monster’ comes from the latin ‘monstrare’, meaning to show, to reveal, to demonstrate. A DEMONSTRATION picks up on these themes in a poetic exploration of the boundaries of sight and the metamorphosis of form.
Official Selection Berlin International Film Festival 2020 - Berlinale Shorts - World premiere
