Christina uses the immense noise of her collection of televisions to block out the voices in her head. That is until one day she has a power-cut. This plunges her into the silence she's always feared and where the voices have control.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as roles are reversed.
Coming-of-age-story about the experiences of wearing glasses. From the first pair, eye drops, the tests and the pressures from others, we follow the journey of a young girl as she grows up into a confident woman who embraces the rims of glass that help her make sense of the world.
As Ellice gets low, her room gets messy - she never sees it coming, but it always happens. There seems to be no way to break out of the endless highs or lows that make up bipolar, or even to pick up her clothes up off the floor.
Ten minutes before a boxing match, a teenage boxer with Downs Syndrome fights for his right to get in the ring. The story unfolds backstage in the immediate moments leading up to the fight.
Fighter finds himself torn between his over-bearing trainer, a sister who hates seeing him get hurt and a boxing committee unsure whether to sanction him to fight at all.
Official Selection BFI London Film Festival 2017 - World premiere
The bonds between 14 year old Samad and his mum are put to the test on a trip to the supermarket
Official Selection BFI London Film Festival 2017 - Journey Strand - World premiere
A Danish woman who is deaf and blind travels to Nepal to meet a woman with her same condition. A story about the beauty and complexity of communication, exploring the boundaries between how we interpret the world and how we perceive ourselves.
'52 Portraits' is an epic love song written to an art form. Dance.
'52 Portraits' is a series of moving image portraits of dancers accompanied by sung autobiographies. It captures the profound, funny and surprising power of their subjects, revealing the stories, thoughts and struggles of dancers in an unexpected way.
Conceived by choreographer Jonathan Burrows, composer Matteo Fargion and video maker Hugo Glendinning. The idea behind the project was to catch both the individual and unexpected brilliance of individual performers, but also the larger collective concerns of dance artists, which accumulate over the course of the 52 films. Originally conceived as a digital project, it began with ideas of the familiar; the common; the shared technological situation. These short gestural portraits were released online every week over a year. These videos now form the chapters of this film.
What emerges in this film is a political and sociological gesture, interrogating the numerous ways artists are subject to hierarchies, stereotypes and marginalisation of any kind. The result is a hugely varied and personal story of what it means to be a dancer.
2018: neo-fascism has taken over. The government implements a programme to chip the population of the UK. Eloise, a documentary film-maker, suspects she is being brainwashed by a secret government organisation.
Set in England against the backdrop of a mass refugee crisis. Amongst the chaos and uncertainty of what lies ahead, is one young man who must question his own humanity when his need to survive takes precedence. How far is he willing to go?
A film about psychosis and surveillance. A composite of fact and fiction, the film draws upon real-life accounts of a schizophrenic disorder: the belief that ones thoughts are being transmitted and heard by others. Set against the proliferation of mobile phone masts in the urban and rural landscape, the film reveals a fragmented inner world of paranoid delusions and acute anxiety, off-set by revelations of mass surveillance and data gathering by government security agencies. Filming locations include a psychiatric video recording studio, an abandoned broadcast television station and a military base used for mass communications monitoring and interception.
Part clinical observation, part psychological horror, the film is driven by a tense and dark electronic score by Lord Mongo, and interweaves the flickering detritus of analogue tape, monitors and studio cameras with layers of sampled archive voices; forming a picture of a psychotic state of mind, entangled in an interconnected world.
Official Selection Clermont-Ferrand International Short Film Festival 2017 - World premiere
