Projects in genres: Experimental

Synopsis

I Could Read the Sky a film about music, madness memory, love and loss, a haunting story of immigration. I Could Read the Sky is adapted from the photographic novel of the same name which has been recently published to rave reviews and explores the sense of identity, loss and exile. It is the moving story of an old man living in a bedsit in London, remembering his life, growing up on the West coast of Ireland and his journey to London. The film unravels the strange twisting drama of a working man's life. It moves from a decaying rural past to a vividly modern present, driven by a dynamic music soundtrack that draws from both, and a simple flowing lyrical story telling. It is the state of memory that the film evokes, not memory as re-enactment but as texture. The film gets to the essence of how we remember. Memory as fragments, as details and layers, memory that comes at you out of the dark. From behind closed eyes, with its abstractions of light and form and sudden moments of precise clarity, taking us on an inward, visually extraordinary labyrinthine journey to the film's end. The film stars the acclaimed Irish writer Dermot Healy and includes cameos from actors Maria Doyle Kennedy, Brendan Coyle and Stephen Rea, writer Pat McCabe (Butcher Boy) and the author Timothy O'Grady and photographer Steve Pyke.

Synopsis

In King Hayle I the camera navigates around a statue of Emperor Haile Sellassie I, acting as a pivotal device to which spectators visually anchor themselves. King Hayle I is an attempt at repairing the umbilical cord between the praxis of art, life and spirituality . . .

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A woman travels both physically and literally in an interior space of several rooms. The film explores the space between self present cohesion and split subjectivity. The fantastical merges with claustrophobic domestical ritual.

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With Thatcher our narrator we take a fast-forward ride through the high-rise 80’s and the lottery-led 90’s in a pop promo for the punk in us all. Money might be too tight to mention, but things can only get better, can’t they?

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A young woman treks around a London park on a Summers day. Hit and miss meetings ensue while her ruminations on life and dreams may not stand up in the pedestrian chaos. Can she figure fantasy from reality? Is the journey better than arrival?

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An intimate study of place paying tribute to the end of a home and a relationship. Official Selection Raindance Film Festival 1997

Synopsis

Man hands on misery to man. Father and son resist the stereotypes of their race and gender in this personal/historical survey of bias and prejudice. Montage and masculinity meet in an analysis of the black experience.

Synopsis

Frantz Fanon was a revolutionary, writer and psychiatrist, whose classic publications 'The Wretched of the Earth' (1961) and 'Black Skin White Mask' (1952) became founding texts of the decolonization movement. This film examines Fanon's theories of identity and race, and traces his involvement in the independence struggle in Algeria. Digitally remastered in 2K through the BFI Unlocking Film Heritage programme. Official Selection BFI London Film Festival 2017 - Experimenta Strand - 2K Restoration World premiere

Synopsis

Politics and pleasure in the court of King Louis. A Baroque rave where Versailles meets Video. Computer animation for the cognoscenti.

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Going down… A brimstone homage to Doré as Dante and Virgil get beneath the surface of things. Human horrors meet hellish retribution in this celluloid engraving.

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With the dark resonance of the nursery rhyme from which it is drawn, this river story probes isolation and imagination, all painted directly onto hard plaster.

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Memory mixes with desire as a museum attendant is caught up in sado-masochistic fantasies inspired by a 19th Century painting of slaves in chains called 'Scene on the Coast of Africa'. The man remembers his past as a singer and delivers Dido's lament from Purcell's opera. Official Selection Berlinale 2019 - Panorama 40