Project video for ‘How (not) to get hit by a self-driving car’, a game installation that challenges people to cross the street without being detected by an AI.
Official Selection Ars Electronica Festival 2024 - S+T+ARTS Prize 2024, Honorary Mention
A work of speculative cinematic writing, the film is about war and displacement, architecture and place-making. It tells the fragmented biography of the so-called Rock Church, an iconic building in Helsinki and its architects who were excluded from the canon of Finnish modernism. The architects' personal history of displacement due to the Finnish Winter War of 1939 and Soviet occupation is braided with the war on present-day Gaza.
Past and present histories, temporalities and geographies fold into, and over one another collapsing time, place and identities narratively to consider, in the gentlest of tones, the impact of atrocities on contemporary lifeworlds.
As the years go by
Our friendship will never die
You're gonna see it's our destiny
You've got a friend in me
Official Selection Ottawa International Animation Festival 2024
What if every thought was a movement, and every movement a thought? What is intelligence and when is it artificial? Can robots dance? Can they help our children learn how to be? How are we learning, and do we ever stop? What are the values and skills that we pass on as societies through games, crafts, stories and cinema?
Connecting scenes of pedagogy, work and play in four global sites, THE HEXAGONAL HIVE AND A MOUSE IN A MAZE invites viewers to consider the mechanics of learning. We search in the cabinets of a supercomputer, in the curve of a chalked letter, in the weaving of a basket. We jump down the rabbit hole and seek counsel from researchers and public intellectuals.
Curiosity and the affordances of the essay form send us grazing, observing, and thinking through film with an open heart. We wonder afresh what the human spirit might yet dream up as new and improved programming for our species.
Official selection Sheffield DocFest 2024 International Competition - World premiere
FRAMERATE: Rhythms Around Us bears witness to the flux of life on earth. Surrounded by shifting pointcloud landscapes, submerged in sound, we scale our perspective. Together we see the beautiful, creative, and destructive forces of nature and humanity. We are a part of this rhythm, we contribute to the cacophony, we are in sync, and we catastrophically collide with the beating pulse of our planet.
Official Selection Tribeca Film Festival 2024 - Tribeca Immersive - World premiere
Impersonating the style of an NHS training films from 1960s-70s and shot on 16mm, the film is an exercise in queering the healthcare information film. Using a collated archive of healthcare experiences recorded with Birmingham's trans+ community the film explores the critical state of trans healthcare in the UK through ‘medical drag’ re-enactments.
An experimental short: a dark comedy satire combined with a music video: In 2044, humanity subsists on ‘Manna-Moolah’ extracted from an asteroid which is now hurtling towards Earth. With hours before impact, Victor tries to get his mentor, Professor Pokus onboard a ship and leave Earth before it’s too late.
An exploration of the time and labour involved in the creation of any animated film, no matter how long or short. In a tongue-in-cheek interpretation of the ‘Long Shorts’ title, the knitted frames of animation create a physical manifestation of the length of the filmmaking process.
Existing between the domains of architectural, technological and spiritual mediums, ‘spaces as traces’ features found footage, director Teo Shi Yun’s body of archival material concerns with Singapore’s architecture and Taoist religious rituals, as well as three-dimensional rendered animation of deities in an imagined science fiction of Chinese mythology.
Official Selection International Film Festival Rotterdam (IFFR) 2025 - World premiere
During the conflict in Northern Ireland a practice developed that saw actors hired to dub those associated with the IRA on broadcast media. Via unseen archive footage and interviews with key figures, THE BAN reflects on the British government’s use of the threat of ‘terrorism’ to justify censorship.
Official Selection International Documentary Film Festival Amsterdam (IDFA) 2024 - International premiere
Official Selection CPH:DOX 2025
