The controversy surrounding the Parthenon Marbles centres entirely on their initial acquisition and their current location in the British Museum.
In 1983, when she became the Minister for Culture of Greece, the esteemed actress and politician Melina Mercouri reignited Greece’s argument that they were illegally removed from the Parthenon temple in Athens by Lord Elgin.
The British Museum has consistently affirmed the legality of its acquisitions and that they are better and more securely preserved and appreciated in London. In the past, it has been stated that the sculptures are an essential part of its wider world collection, which enables visitors to understand both the full cultural and historical context of ancient Greece.
Greece asserts that the sculptures are integral to its national identity and historical narrative, and that only their reunification with the remaining Parthenon artefacts in Athens can provide the fullest, most complete, and meaningful context for their display.
With both sides standing firm on their positions, the debate remains unresolved. THE MARBLES advocates for reunification in what has become the art world’s most pressing issue.
Locked and loaded with film tape, a man explores an abandoned rave house, once known as The Warehouse, that was once the beating heart of the South West’s clubland.
Can a dog still be man’s best friend if that man is the Führer? Blondi explores the bizarre bond between Hitler and his beloved German Shepherd. From eating the crumbs under the table at the Führer’s birthday, to living in the confinement of the bunker, this film presents intimate glimpses of the dog’s daily life intertwined with the realities of war and fictitious, humorous newsreels, depicting the oblivious pet's significant and surreal impact on the Reich.
Official Selection Edinburgh International Film Festival 2025
A bold, narrative-driven experience that immerses players in the hidden and haunting histories of anti-Blackness in the US and UK.
This is an experience designed to be difficult – mentally and emotionally. Drawing from primary sources, historical records and scholarly analysis, Coded Black offers a journey through past atrocities and moments of triumph.
Explore two distinct, atmospheric scenes – a plantation and a modern 20th-century city – each filled with real historical documents and audio visual storytelling. With a structure that surfaces different content in each run, Coded Black is a narrative crafted for both personal reflection and educational engagement.
The game deals with the historical topic of slavery and racism, and therefore includes descriptions of violent acts, images of devices used for the chastisement of enslaved people, and archival imagery depicting victims of lynching. Note, there is a museum version available with the lynching images disabled.
A poetic memoir and political report, shot in Berlin and Leipzig, and in landscapes around the British Isles. The film’s narrative builds out from the events of the Reichstag Fire in Berlin in 1933 in which the pioneering German-Jewish sound recordist, Ludwig Koch, on whom the film ultimately centres, plays a minor role, placing him and his family in danger. The film is structured in two parts, juxtaposing Koch’s persecution in Nazi Germany with his experiences as a refugee recording bird song and other sounds in Britain.
The film’s images of contemporary urban and rural terrains, and of objects and documents, create a collision between past and present. Shifts in time are further emphasised through the use of Koch’s original sound recordings from Germany and Britain which feature throughout the film.
In the divided town of Mostar, Bosnia and Herzegovina, a once renowned National Monument and Cemetery honouring young WWII partisan fighters is being destroyed by neo-fascist forces.
While most of the town dismiss it as a relic of communism and an enemy monument, a small group of determined relatives embark on a poignant quest to preserve their loved ones’ memories amid the ruins.
Official Selection Sarajevo Film Festival 2025
A woman at the end of her life wanders lost in the woods where her memories find her. Seamlessly blending historical archive footage with dramatizations, the narrative explores how nature connects us to our past.
An immersive 360 experience created by Human Studio interpreting three scenes from an original short story by Nick Bax.
The Neon Pack is a Protopian Tale which takes place in a very near future where XR technology is seamlessly fused into our everyday lives, enhancing even the most mundane of activities.
The project was commissioned by Hope Works and match-funded by XR Stories (University of York) and attempts to provoke thought and discussion regarding the development and proliferation of XR technology and content.
To date, ‘The Neon Pack’ has been exhibited at Sónar+D (Barcelona, 2023), the Immersive Futures Lab, SXSW, (Austin, Texas, 2023) and BEYOND, Cardiff City Hall (2022). An augmented reality iteration of the project was also displayed in Sheffield city centre until 2025 as part of the ‘Look Up’ AR artworks project.
The Neon Pack features original soundtrack by 96 Back on CPU Records.
Virtual reality project by Human Studio seeking to demonstrate the ‘personality of a place’, via a combination of original 360° filming, archive imagery and audio interviews.
Official Selection Immersive Futures Lab, BEYOND 2022 (Cardiff)
