Undead Sun looks back at the seismic impact of the First World War and considers how so many of the products of that conflict continue to shape our contemporary experience.
Shot in London, Shadow Gene explores characteristics in the human race which contradict its own survival: violence and greed.
A beautiful female assassin on a mission to destroy a defective gene in the male species uncovers a corrupt and murky world of corporate power. Raised by a mysterious woman and nurtured into becoming a ruthless hit woman, she targets 'corporate' types who unknowingly carry the notorious 'shadow gene', a parasite gene that compels its hosts to become as violent and greedy as the stock markets demand... without remorse. One day although seemingly accomplishing her mission an encounter with a smug corporate executive sets of a chain of events that shifts the power between victim and perpetrator.
Shot largely in London with a minimalist cast and crew on a tiny budget using aging out-of-date 16mm and Super 8 film stocks (some up to 40 years old), Shadow Gene utilises 2D animation, live action, graphic and photographic imagery along with a haunting piano score to tell its story, along the way creating a kaleidoscopic narrative that reveals aspects of corporate greed from the time of the nineteenth century Luddite to the present day 'Occupy London' Movement.
"ORWO, is an excellent yet inexpensive 16mm film stock made in Eastern Germany and used by many experimental filmmakers in the past. I scratch off the image surface with a needle then sweep away the emulsion dust beneath the microscope... I used a low powered USB microscope purchased from a LIDL supermarket in West London to capture the image to computer. The deliberately scratched film originates from a 16mm roll used to make image masks for my film 'St.Paul's Cathedral Movie', processed at the London Film-makers' Co-op in 1972." Stuart Pound
Official Selection BFI London Film Festival 2015 - Experimenta Strand
A ghost actor haunts his screen life, and is haunted by it, to the clicking of a projector. What you see is scraps of film under a microscope, with its sprocket holes, oily colour, and accumulated fluff and dust.
Presented on paper, the concrete poem "Full Stop" (taken from Zata's poetry collection "Doppelgängers", 2005) takes the shape of a circular full stop. In this transcreation, the material is presented aurally as Morse Code, and visually as a moving telegram. This artwork was funded by Arts Council England.
Pale Shadows is told through the eyes of a young storyteller. She reveals the story of Bradamante who travels to a magical island to reclaim her lost lover Ruggeiro from the enchantress Alcina. This is a rich visionary approach to Handel’s opera Alcina, which explores the intrigue and turmoil of love.
An animation based on a poem about the sea as a lover to the land. The sea can give and it can take away, like an irrepressible force it cannot be tamed. Yet listen and it will yield its secrets...
The story of a collection of artworks made by residents of an English psychiatric hospital. From clinical material to revered items of outsider art, Abandoned Goods charts the transformation of these objects, and uncovers the forgotten lives of some of the key artists in the collection.
Set in 1960s London, Blotter is psychedelic exchange between a doctor and his patient as they trip on LSD. What seemingly feels like a normal conversation between a housewife and her therapist melts into a trippy projection of ire and lust.
In an uncannily nostalgic world, seemingly imagined by an unseen eccentric narrator, Al Crisps finds his life takes a strange turn when his usual routine is broken.
