Haunted by the ghost of war, a stoic Syrian Barber is trying to build a home for himself and his family on a remote Scottish island. He must find a way to survive this new unfamiliar life and protect the memory of Syria for his young children.
Official Selection Sheffield Doc/Fest 2021 - World premiere
Based on the book 'The Reason I Jump' written by Naoki Higashida, a non-verbal autistic Japanese boy. Translated from Japanese in 2013 by acclaimed novelist David Mitchell, the book is now a worldwide bestseller, offering an illuminating and life-enhancing guide to Planet Autism – a planet that has very different laws from the one most inhabit.
The book, written when its author was unknown and only 13, is now a bestseller in 27 languages, and has become one of the world’s most widely-read guides to Autism, offering an extraordinary passport to another world.
The book's question-and-answer format gives a remarkable insight into the thoughts and feelings of an autistic person who cannot talk; a Rosetta stone that allows us to hear what it’s like to be autistic. This feature documentary is a cinematic translation of the experiences revealed in the book, weaving Naoki’s writings around stories of non-verbal autistic people across the globe, immersing us in their unique sensory worlds, full of intensity, richness, and beauty - and sometimes shadows and terror.
Official Selection Sundance Film Festival 2020 - World Cinema Documentary Competition - World premiere
Grierson Awards 2022 - Winner - Best Single Documentary – International
A creative documentary about the relationship between fathers in prison and their children at home. In addition to the focus of presenting three incarcerated fathers, we gain insight into the changed lives of their families and children. As we become familiar with their daily lives, we witness the distance and even the closeness that grows between the inmates and their families. As a way of keeping contact, the inmates write fairy tales for their kids which we then make into films with the children playing the lead roles. The stories convey messages that the fathers have come to see as basic truths during the course of their own lives and believe are important to pass on. Within these stories, in the freedom created by fiction, father and child can be united once again.
Sandra (Dunne), on the surface of it, is a young Mum struggling to provide her two young daughters with a warm, safe, happy home to grow up in. Beneath the surface, Sandra has a steely determination to change their lives for the better and when it becomes clear that the local council won’t provide that home, she decides to build it herself from scratch.
With very little income to speak of and no savings, Sandra must use all her ingenuity to make her ambitious dream a reality. At the same time, she must escape the grip of her possessive ex-husband and keep him away from her and her girls. The lionhearted Sandra draws together a community of friends to support her and lend a helping hand and it is the kindness and generosity of these people and the love of her young daughters that help rebuild her own strength and sense of self.
Official Selection Sundance Film Festival 2020 - World premiere
Official Selection BFI London Film Festival 2020
In patriarchal Nepal, Belmaya, at 21, has given up on finding happiness. An uneducated Dalit, with an oppressive husband and baby daughter, she yearns for freedom. Rewind to 2006, when she was a rebellious teenager living in a girls’ home. Grabbing the chance to learn photography, she wanted to change her world. But the home locked away her camera.
I Am Belmaya follows her transformational journey from 2014 as she once again picks up the camera, this time to train as a documentary filmmaker. But are her husband and community ready for this? Struggling against violent opposition, Belmaya makes a personal film, Educate Our Daughters, which wins hearts and awards, taking her to places she never dreamed she would go.
Shot in one single take, the film follows a 13 year old Bangla girl from East London escaping a forced marriage with the help of her girlfriend. Part of the Arri Trinity challenge.
A snapshot of an edgeland, Tilbury in Essex, during the months leading to the Brexit deadline in March 2019. The film moves back and forth between the individual, human-scale portraits of migration and the representation of the town’s economic activity.
Built from conversations with trans feminine people around the world, particularly the UK, Indonesia and Canada, the film documents We Dig, a threatre performance which centres around the actual excavation of a giant hole - a literal representation of a queer community needing to bury itself for protection.
A double portrait of two women whose lives have been shaped by a shared passion for homemaking and hospitality. Over the course of the film we see Rosemary and Nancy in their cottage in Yorkshire, where they have settled in retirement. We hear them speak about the project they embarked on together, which saw them shelter and re-house over five hundred families in Massachusetts over a thirty year period, as well as providing a personal and historical context to their story.
Based on the book 'Lost Lives', which records every single death and its circumstances since the beginning of the modern conflict known as the Troubles in Northern Ireland, this heartfelt documentary is a cinematic homage to those, from all sides, who lost their lives. Powerfully narrated by famous Irish and Northern Irish actors, including Kenneth Branagh, Brendan Gleeson, Roma Downey, Liam Neeson, Bríd Brennan and Stephen Rea, the film weaves archive footage with recordings of family and friends responding to the devastating news of the death of loved ones. A score performed by the Ulster Orchestra and striking cinematography complete this elegiac piece. The last entry in the book is Lyra McKee, a journalist who was fatally shot in 2019 – an essential reminder that peace can be a fragile process.
Official Selection BFI London Film Festival 2019 - Love Strand - World premiere
Beginning in Vienna where the filmmaker meets her father, David, whom she hasn’t seen since she was two. Through a mixture of onscreen text, sit down interviews and archival footage, David’s early life as a teenage activist in Northern Ireland is revealed. The film then travels to Belfast and segues into an impossible reconstruction of David’s early years. In and attempt to better know him, Garnett uses previously recorded audio interviews to skillfully craft a lip-synced, cross-gender performance where she impersonates the his youthful presence and casts a transgender actress in the role of his girlfriend. The film cycles through various camera modes – narrative vignettes on RED alongside handheld camcorder footage of contemporary Belfast street life mixed with these verbatim re-enactments – to create a fragmented account of a teenager struggling to find an identity in a rapidly deteriorating society, and the parallel struggle of a filmmaker to connect with her estranged father. The layers of texture in this film mirror the fractured lens of history, and point to the impossibility of filmmaking as a container for 'Truth'. In TROUBLE, cinema is a means of rebuilding family ties of highlighting the complexities of representation and the construction of identity.
Official Selection BFI London Film Festival 2019 - Experimenta Strand - World premiere
