Jack has been married to Maggie for over half his life. He works as a hand raker on the mussel beds in North Wales alongside his younger brother, Dyfan, and Dyfan’s three sons. Jack has always assumed that his own boy, Tom, will join the family business on leaving school, but Tom’s resistance to follow in his footsteps creates familial tension. Tensions are further inflamed by the arrival of an itinerant deckhand, Daniel, who makes known his feelings for Jack. In this remote, rural community where life revolves around Church and fishery, Jack is faced with an impossible dilemma.
A beautiful, sensual and at times, tragic exploration of masculinity, place and desire.
Official Selection Edinburgh International Film Festival 2025 - World premiere
Becky, an ambitious but struggling writer, is overcome by envy and spite when she meets Stacy, a beautiful but insatiable socialite, at a lavish party hosted by Stacy’s father at their country estate. The evening descends slowly into chaos, and the girls’ lives are forever transformed after the unexpected arrival of a modern-day genie who promises to grant their deepest, darkest wishes.
A dark comedy set in New York, inspired by Aesop’s fable 'Avaricious and Envious'.
Official Selection Edinburgh International Film Festival 2025 - World premiere
A retro futuristic short film about beauty, identity, and the dangerous pursuit of perfection.
Cosmetic enhancement is more extreme than our own. New boobs, butts and faces can be purchased, sewn on and bedazzled to your choosing. And the latest beauty trend? “Sleeping Beauty Makeovers”. A living embalment all performed by a mortician, where teens, for their Sweet 16, jump out of a sparkling coffin instead of a giant cake.
Official Selection Fantasia Film Festival 2025
An interactive project and AR tour of archive relating to the town of Folkestone’s first chalk hill figure, the legendary Folkestone Elephant. Revealing ancient artefacts, folk costumes, rare archive film, and Augmented Reality magick. The AR app guides visitors on a walk through the beautiful local countryside neat Folkestone. Using geo-located video clips and sound, the expedition takes them from Newington to Summerhouse Hill, for a chance to summon the elephant.
Jessi moves to Folkestone's white cliffs; a crucible for debates on what English identity means as refugees cross daily from France. But the film Jessi thinks she’s making, about impossible social and psychological divisions, is changed by her new neighbours, who embody hope for a country of messy inclusivity.
Official Selection Sheffield DocFest 2025 - World premiere
Novelty pop band Black Lace are responsible for creating 'Agadoo', the worst record in history (as voted for by music journalists). The track was banned by the BBC for not being "credible", yet was still massively popular. But at peak fame Black Lace’s rapid success unravelled - and a disgraced member vanished - Enter young Dene Michael to save the day.
40 years later, after a decade living and working in Benidorm, Dene's still carrying the novelty fame, driving a clapped-out Volkswagen Up into the most deprived areas of the UK. On tours Dene's always accompanied by his biggest fan Anne, his 89-year-old mother. Unable to fly, Anne's asked Dene to drive her back to Benidorm for a last goodbye. However, the mother and son nostalgia trip has been upended by Dene's unexpected new relationship. Hayley, an 'Agadoo' superfan, has fallen in love with her ageing idol and is joining them on this Spanish adventure.
Dene is placing his bets on recording a new 'hit' record. But who needs an overweight pensioner in a loud pineapple emblazoned shirt and oversized red spectacles? Apparently, many do! Agadoo doo
Official Selection Sheffield DocFest 2025 - World premiere
'La Traviata' is one of the best known operas in the repertoire, with a strong narrative thread at its heart. OperaGlass Works bring something fresh to it, to appeal to lovers of the work and to audiences who have never seen opera before. This is not live capture of a stage performance, it is a movie, filmed on location with a diverse cast of singers and a troupe of magnificent dancers. An ensemble full of character and wit create something that is traditional, truthful and quite different.
La Traviata is a tragic tale about Parisian courtesan, Violetta, who meets the romantic aristocrat Alfredo. Finding herself in love for the first time, she abandons her frivolous lifestyle to be with him. Happiness is short-lived: the hypocrisy of upper-class society threatens their love – and she pays the ultimate price.
When a tiny hardware shop in Bloomsbury is threatened with closure after 171 years, what does that mean for a community? We follow the owners Karen and Trevor, their dog Buster and their employee Karl on what could be their final seven days of trading.
In a forgotten patch of countryside, a woman is battling her demons: embracing exclusion yet wanting to belong, craving freedom whilst feeling trapped, yearning for family life but wanting to burn the entire house down. Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the brutality of another person carrying your heart forever.
Official Selection Cannes Film Festival 2025 - Competition - World premiere
A single mother and her two daughters return to Taipei after several years of living in the countryside to open a stand at a buzzing night market. Each in their own way will have to adapt to this new environment to make ends meet and succeed in maintaining the family unity. Three generations of family secrets begin to unravel after the youngest daughter who’s left-handed is told by her traditional grandfather to never use her "devil hand”.
Official Selection Cannes Critics' Week 2025 - World premiere
A poetic memoir and political report, shot in Berlin and Leipzig, and in landscapes around the British Isles. The film’s narrative builds out from the events of the Reichstag Fire in Berlin in 1933 in which the pioneering German-Jewish sound recordist, Ludwig Koch, on whom the film ultimately centres, plays a minor role, placing him and his family in danger. The film is structured in two parts, juxtaposing Koch’s persecution in Nazi Germany with his experiences as a refugee recording bird song and other sounds in Britain.
The film’s images of contemporary urban and rural terrains, and of objects and documents, create a collision between past and present. Shifts in time are further emphasised through the use of Koch’s original sound recordings from Germany and Britain which feature throughout the film.
Ava remembers her childhood home as a place full of amazing things and adventures. The day she returns home from university, however, everything changes: what used to be an exciting playground has become an oppressive box, and her mother’s things and fear of letting go overwhelm their home and their relationship. By dipping into memories and sharing a moment in time, can mother and daughter reach an understanding?
