10 year old, Anya lives and cares for her mother, Amanda. When Derek threatens to come between them, Anya takes matters into her own hands in order to protect her home. A darkly comic drama about the power of one girl’s imagination to change her own world.
A narrative resistance group makes underground deposits of elaborate porcelain suggested to belong to an entirely fictional civilisation. Their aim is to influence history and support future claims to their vanishing lands.
This film resides in the cross-section between science-fiction, archaeology and Middle Eastern politics. Combining live action, computer generated imagery and historical photographs the film explores the role of myth in history, fact and national identity.
Official Selection Berlinale 2016 - Forum Expanded - World premiere
Artist Jumana Manna sets out in search of the musical diversity of historical Palestine. Drawing on her research into the German-Jewish ethnomusicologist Robert Lachmann (1892-1939) and his work in Palestine, the film follows Manna’s exchanges with musicians as she encounters them in their homes and places of work and worship.
Berlinale 2016 - World premiere
An eight year-old tomboy challenges gender expectations when forced to make an Easter Bonnet with the girls. Then, when confronted with a family with two mums, she begins to question traditional family dynamics. Bravely subverting convention, her vivid imagination and resourcefulness leads her on a journey of discovery around her neighbourhood that will have radical and far reaching effects.
Official Selection BFI London Film Festival 2016 - Journey Strand
Tootega is a witch who ekes out an isolated existence on an iceberg adrift in the ocean. It's a miserable lot, and in Tootega's case, misery hates company! Derek is a merman – more fish than man really – who spends his days joyously rollicking around the ocean, oblivious to the fact that his dreadful singing is the very reason he remains friendless.
This is the story of what happens when these two unlikely characters come together, as Derek begins to unlock the painful secret Tootega has kept hidden for a long, long time…
A stop-motion sci-fi action thriller about squirrel apartheid. When a lone renegade grey squirrel and a hunted acorn find themselves trapped on a hostile and mysterious red squirrel island, they uncover a horrifying plot that threatens their future…can they survive Squirrel Island?
A family of Irish Travellers come to England to find work. Joining their uncle in his driveway business they surf soup kitchens to pick up homeless men. Enslaved and forced to work, with little food and no money there's little chance of escape until a young newcomer arrives.
A film about the women who confounded ideas of what was appropriate or expected, and got involved in science in Victorian England. This is the story of Vanessa Kentworth and the rain.
Based on true events and the work of the British Rainfall Organisation.
Based on a true story. 11 year old Urban’s been running away from care since he was five, (six care home and eight foster homes in six years). He’s Britain’s most runaway child... When he can’t find his mum, he sleeps rough on the streets, or in a shed with other runaways 'The Shed Crew’. He’s never known a dad, just his mentally ill, addict mum, Greta. So when she meets Chop, the first decent bloke they’ve ever known, Urban feels hope for the first time.
For Chop, the once idealistic ex-social worker, it’s a chance of redemption. He takes the broken family in, helps Greta, teaches Urban and his brother Frank lessons in life. But the family’s new found happiness is all too fleeting as Greta’s propensity to self-destruct proves too strog, leaving Urban to cope with the fallout the only way he knows how…
A moving documentary that explores contemporary Northern Ireland, through the lives of four men living in the aftermath of violent conflict; a story about reimagined identity of place and the fragility of masculinity.
Contextualised by the country's past the film is firmly rooted in Northern Ireland today, as a population struggles to come to terms with the horrors and the sacrifices of its past and the men turn to face a future defined by their hopes, rather than regret.
Filmed over a year with the men in and around their homes, the filmmakers focussed on the stories that took place long after the news cameras had left the story that was Northern Ireland.
Thirty years of violence came to an end in a 1998 peace deal, and the door on almost relentless media interest also closed. But the lives of those affected indirectly or otherwise by the so-called ‘Troubles’ continued…
In a society where masculinity has long been measured in violence and aggression, what happens to the identities of men when the Troubles end and the roles previously held are no longer accepted or needed?
The woman in the yellow hat and the guy in the purple jumper might just be soulmates, but will they talk to each other or will they leave that crowded tube carriage never knowing what might have been….
