Billy Hull was a prison officer in The Maze/Long Kesh. Against prison policy Billy collected items from various individuals, incidents and occurrences. On his retirement Billy organised a display of the objects. The public has never seen this collection.
This documentary presents the architectural concept of 'Cargo Fleet', which juxtaposes materials from the shipbuilding yards of the North East of England into the urban landscape of Islington. The house is revealed through the reflections of a group of people - actors, dancers, musicians, and artists. Their experience of the place unfolds like a tapestry to which the muses themselves then add their voice. The director plays with contrasting forms and styles, weaving music and language together. She reveals the interior and exterior in shifts of mood and ambience, presenting the viewer with an aural and visual feast.
With poetry by Samuel Taylor Coleridge, William Shakespeare, San Juan de la Cruz and Alexander Pope. Music by Andrew Peggie and Raiomond Mirza.
A collective film made with the London Bisexual Women's Group. It explores the idea of women and bisexuality through use of live action, animation and sound. A nine-minute experimental piece of work, which uses objects as a starting point in exploring bisexual identity.
Filmed in Santa Monica, Los Angeles, LOOKING FOR ABRAHAM is a four-minute excerpt from a stand up routine captured during happy hour in a European hostel. The comic cultivates a relationship between the audience and himself that unnervingly veers between public performance and private confession. In an environment where this self-effacing routine could be his genuine act, the audience sits uncomfortably as they try to draw the line between fiction and reality.
LOOKING FOR ABRAHAM was selected for New Contemporaries 2005
2Be is an original, dynamic, musical-documentary about human rights.
Filmed over a period of five months, 2Be follows students from Abbeydale Grange School in Sheffield, UK - a school where over 51 different languages are spoken - as they develop a series of musical sequences about human rights.
The contrast between their revealing personal stories and triumphant performances creates an intimate and inspiring documentary.
Afterlife is a film about love and filial responsibility. It's the story of two siblings, Kenny and Roberta Brogan. Kenny is an ambitious young journalist, standing on the brink of a fantastic career opportunity in New York. Roberta has Down's syndrome and still lives at home with their mother, May. Two very different siblings. Two very different lives. But everything is about to change when tragedy strikes and they are forced to reassess their future.
America is a young Bolivian girl living in London. It is ten in the morning and a collect call from Bolivia will change the course of her day drastically. Her mother has died. She was killed while protesting against the USA's radical antidrug policy in the country. America promises her sister she will take the first plane to La Paz leaving today to be present at the burial tomorrow.
When she hangs up she embarks on a journey full of obstacles that she will have to overcome. She has two problems; the ticket costs £500 but she only has £100, and the plane leaves at 11:30 am. That is in 90 minutes. Her determination to get the money and see her mother for the last time in her life will be stronger than the antagonist elements oppressing her. To board the plane to La Paz will become her American dream. At the end of her journey, America will be determined to follow in her mother’s footsteps and show the USA that their repressive policy against the coca leaf is unjustified, even more so when respect for human rights and social welfare is at stake. Coca is not cocaine.
Two young men, desperate to escape the politically volatile Ivory Coast, embark upon a European journey seeking their fortune. They dream of one day returning as triumphant heroes. However, one is deported and returns empty-handed, cast aside by his family and friends. The other, running from the authorities, makes it to London where he hooks up with a young, white bisexual woman. Captivated, he follows her on to Paris amidst the throng of an underground music revolution. Ultimately this takes him home to Africa, his dream fulfilled - but at a price far greater than he ever could have expected.
The universal experience of riding the top deck of a London bus unfolds through the lives and eyes of south London school kids, rude boys and appalled from middle England.
The film was inspired by motives from Franz Kafka's short story 'Children on a Country Road'. It traces a journey through the solitary landscapes of the Polish Bieszczady region, an area that was densely populated before WWII. The film was shot with a small German-Polish crew, and all actors are local people.
