A film which attempts to navigate bereavement following suicide. Through animation, archival footage, and sound, director Miranda Peyton Jones guides us to the heart of her grief, love and loss. The voices of her family and her father’s music underscore this deeply personal, powerful, and poignant film.
Royal Television Society Awards 2022 - Winner - Best Documentary
Official Selection British Documentary Film Festival 2023
Official Selection British Animation Awards 2024
An adaptation of D.H. Lawrence's novel about a woman who breaks with the forms and traditions of her time when she falls out of love with her husband and begins a torrid affair with a man who works on their English estate.
World premiere Telluride Film Festival 2022
Joy and Harry are trying to have a baby. One night, Joy swallows a spider in her sleep. When Joy subsequently develops an insatiable appetite for flies, it dawns on her that there may be more than one way of becoming a mother.
Shawn specialises in awkward sex scenes and awkward sex scenes only. When she receives a call from her former mentor, Fiona, Shawn is overjoyed at the opportunity to prove her skills and the worth of her style on set.
Official Selection PÖFF Shorts - Black Nights Film Festival 2022
This work imagines the female body as a part of nature, blurring the boundary between human body and landscape. It explores the subjectivity of the female-born body and its connection to the nature. Emphasising the idea that humans perceive nature through their bodies, the work suggests that true understanding comes through immersion and embodied experience.
Marko and Maja are moving flats in Sarajevo. Maja's depression turns Marko's struggle into poetry, and played on the radio, Marko's poems become the last bridge of communication between them.
Official Selection Cannes Film Festival 2022 - Critics' Week Short Film Competition - World premiere
An emotive, intimate film portrait of the life and death of Northern Irish journalist Lyra McKee, who was murdered by dissident Republicans the day before Good Friday, April 2019. Directed by her close friend, documentarian Alison Millar, the film seeks answers to her senseless killing through Lyra’s own work and words. In just 29 years, she rose from working-class roots in the epicentre of war torn Belfast to become an internationally renowned investigative journalist, seeking justice for crimes that had been forgotten amid the euphoria surrounding the 1998 Good Friday Peace agreement. As the voice of her ceasefire generation, Lyra represented hope for a future free of conflict. Her death is another tragic milestone for a country trying to shake off the shackles of its violent past.
Official Selection Sheffield DocFest 2022 - Rebellions - UK premiere
Why are we so afraid of the dark that we need to brighten the world around us? Shot at night on the "cult" Red Monochrome with Camerimage Winner DOP Mate Herbai, NIGHT BURNS LIKE CIGARETTES approaches Light Pollution through our intimate relation to darkness, torn between love & fear. An anti-consumerist ballad in the night, it has Lily Cole as a Narrator, and British-Zimbabwean singer and dancer Kwaye.
The eerie story of twin sisters who were entirely silent, communicating only to each other as children. As teenagers, they became obsessed with writing fiction, then with teenage boys, and finally, with crime.
Official Selection Cannes Film Festival 2022 - Un Certain Regard - World premiere
A woman in the 1980s experiences the tragedy of child loss and develops Dissociative Identity Disorder as a coping mechanism. Under the supervision of her unorthodox psychologist, Dr. Cahill, she assumes the identity of the infamous flapper girl Zelda Fitzgerald.
Official Selection Cork International Film Festival 2022
A lonely widow’s home is infested by a mouldy manifestation of her dead daughter’s spirit, but when her son returns from university and realises the severity of her emotional entombment she is forced to confront her festering guilt and choose between the living and the dead.
The close relationship between two sisters is broken down irrevocably, when one insists on keeping up with tradition.
Official Selection Vancouver International Women in Film Festival 2022
