A tribe of women await their men's return from war. Azaar, one of the last young girls in the village is intertwined between her mother, grandmother and the rest of the tribe, as she comes to learn the true cost of womanhood.
BAFTA Film Awards 2020 - Nomination - Best British Short Film
Sean, an introverted young mechanic who is unsure of his identity finds an unlikely friend in Bob, a co-worker on the verge of retirement who has been cross dressing for years.
As much a film project and an experiment in collaboration as it is a set of fragments drawn from a reimagined cosmos. These fragments, sounds, and stories help us convey the experiential moment of entanglement, or rather, they describe an entangled moment prior to separation, what we call “Deep Implicancy”.
One such story we follow is water, both as it phases transitions with and into other matter including life, but also as it combines disparate geographies, bodies of/in water, and four islands within them – Lesvos, Haiti, Marshall Islands, Tiwi.
Through a series of experimental migrations and elemental crossings we begin to question the form of the universal human, its calcified and exceptional origins, and in particular its ethical program. Wandering and wondering through a transformative figuring of justice, we ask, what if our image of the world recalled phase instead of measure? And what becomes of ethics if we let go of value? (Arjuna Neuman, Denise Ferreira da Silva)
Official Selection Berlinale 2019 - Forum Expanded Exhibition - Group Exhibition at Betonhalle - World premiere
In this exploration of gender roles, Francesca, a horn player and music composition student is contemplating the pros and cons of continuing a relationship with Nick, an artist. The film explores and dissects the problematic idea of the female muse in the 21st century.
BEYOND 'THERE'S ALWAYS A BLACK ISSUE DEAR' captures a vital historical period shedding new light on British LGBTQ history, circa 1970s and 80s. Creating their own identities in a time when, ‘if you were black you could be either Reggae or Soul’ the cast vividly recall daring to be different.
My grandad was a romantic. He once saw a picture of my granny and realised that she was the love of his life. One day he decided to go meet her.
Official Selection BFI London Film Festival 2019 - Laugh Strand
BAFTA Film Awards 2020 - Winner - Best British Short Animation
Between 2011 and 2015 UK adventurer Sarah Outen traversed the globe. For her expedition London2London: Via The World, Sarah was the engine, travelling by bike, kayak and rowing boat across Europe and Asia, the Pacific Ocean, North America and finally the Atlantic.
Sarah’s incredible four-year odyssey saw her travel over 20,000 miles. As she migrated between cultures, climates and landscapes under her own power, Sarah’s inspirational voyage was followed by thousands, hooked on her infectious humour and love of life.
But travelling mostly solo, the trip took its toll, and the punishing elements, ticking clock and months of solitude pushed Sarah to the physical and mental brink. Woven out of hundreds of hours of footage from the expedition, Home intimately and unflinchingly captures Sarah’s journey: the kindness of strangers, the wonders of the wild, the savagery of the elements, the near-death experiences, the demons of her emotional trauma and PTSD, and her discovery of love for a farmer called Lucy.
Home is a story of heart and soul, of hardship and joy, and one woman’s trek towards true emotional acceptance.
A real life "superhero", a YouTuber and a camgirl explain why they choose to share -or hide- their chronic illnesses online. When you're too ill for IRL, where do you turn?
'Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine' concerns affective relations and community building. The film is like a spell or a promise for a new and more liberating type of family structure. The film has a non-linear narrative that weaves various intimate settings, some within shared domestic spaces, others in outdoor environments. Shot in Lithuania, London, and Edinburgh, the film features the artist and her children, as well as close friends, which she considers extended family.
In the process of creating this new work, Rosalind Nashashibi questions how a group’s sense of commonality is dissolved when there is an absence of communal experience and adherence to linear time. Through an open-ended discussion of space and time travel in the film, which is in part inspired by the creation and dissolution of group relationships in Ursula Le Guin’s “The Shobies’ Story” (1990), Nashashibi explores new modes of conviviality, considering the absence of the nuclear family structure without an imperative model in sight.
Official Selection Berlinale 2019 - Forum Expanded - International premiere
