Jim, an isolated ex-miner who works as a night-shift security guard faces his last day at work before retirement. The film explores the intrinsic relation of an individual to work and asks what's left when, at the end of a lifetime of labour, a man loses his purpose.
Official Selection Clermont-Ferrand International Short Film Festival 2019
Capturing the secret world of a comic book artist, who draws images of women he finds beautiful, and the woman he wants to be. Throughout his life, he has battled “him” and “her”.
However, they both complete, protect and nurture each other whilst guiding him when he needs them.
A short film about an eighty-year-old tidal pool in Margate, and the swimmers who find solace and community in her waters during these turbulent times. Filmmaker Kathryn Ferguson and writer Anna Hart explore the magical healing nature of the sea, and the value of a true community pool.
Official Selection Sheffield Doc/Fest 2018 - World premiere
Official Selection Clermont-Ferrand International Short Film Festival 2019 - International Competition
Confronted with the alarming possibility of his niece’s rebellion, a fanatical believer sets into motion a chain of dark events that he believes will spare her from the impending apocalyptic doom.
A young woman grows body parts in her garden; an occupation that becomes stranger when she realises there is something peculiar lurking beneath the soil.
At the end of summer, Rosa arrives at her husband’s resort – a small hotel in the vast dry steppe, to check on staff and collect the accounts. An unexpected encounter interrupts the routine of her stay and awakens a long forgotten passion for swimming.
Official Selection Cannes Film Festival 2018 - Cinéfondation - World premiere
A young deaf girl comes to live on a boat owned by a big talker. She makes contact with the people - and the gerbil - which inhabit this world via written notes, gesture, and dance before a small but significant death pushes her to make judgments about these relationships.
Explorings how we present ourselves as women through societies feminine ideals and analyses the consumption of beauty in the digital age. ‘Ambie Drew’ exists to achieve perfection in a synthetic reality, manipulating herself through the use of beauty tools to play on an amplified, kitsch femininity.
Amma spends the day getting braids in her local Afro-Caribbean hair salon. It's full of fun, sheen spray, gossip and laughter - but how will she deal with the casual homophobia?
