An exploration into the material agency of images and of forms. Shot on the volcanic island of Lanzarote, the film’s images are eruptions willed into existence by the creative act of the molten rock, the amorphous landscape dissolving subjectivity into itself.
Ventilator is set in two locations in Scotland; a derelict ventilation system on a rooftop in the city of Glasgow and a beach on the Ayrshire coast. This short experimental video comprises of a mixture of animation and filmed work, with the two protagonists- a woman and a masked, distorted man, encountering and being encountered by a variety of objects, mundane and foreign, many with motive-force of their own. The film is edited to be fragmentary and non-linear, with scenes dissolving and elements collapsing and bleeding into one another. Land art, totemic heads, and the repeated emergence and disintegration of masks throughout the piece represents not a cryptography for the audience to decipher, but an invitation to engage within the ‘logic of sensation’.
The continuing adventures of British publishing executive Bridget Jones as she enters her 40s... Bridget Jones finds herself unexpectedly expecting.
The third film instalment of Ms Bridget Jones's story, based this time on novelist Helen Fielding's Bridget Jones newspaper column stories.
Johnna's dad talks too much, and Johnna herself lives inside her head. 'Your Mother and I' looks at the small moments that belie the larger tensions between families and generations, whilst Johnna's dad recounts all the ways he and his wife changed the world. Or so he says.
Official Selection Toronto International Film Festival 2016 - Short Cuts - World premiere
The true story of Seretse Khama (David Oyelowo), King of Bechuanaland (modern Botswana), and Ruth Williams (Rosamund Pike), the London office worker he married in 1948 in the face of fierce opposition from their families and the British and South African governments.
Official Selection BFI London Film Festival 2016 - Opening Night Gala
Conceptually informed by artist Manuela De Laborde’s active filmgoing, this piece takes as its point of departure prop sculptures which are transformed both through hybrid techniques of framing, lighting, and superimposition and by being projected in an enclosed, silent architectural space.
Official Selection Toronto International Film Festival 2016 - Wavelengths - World premiere
Recreation of the inspiring life story of the late photojournalist, artist and activist Dan Eldon, who abandoned a comfortable life in London to document the struggle, heartbreak and hope of a war-torn and famine-ridden region of Africa.
Toronto International Film Festival 2016 - Gala Presentations - World premiere
A British film crew attempts to boost morale during World War II by making a propaganda film after the Blitzkrieg. A young woman screenwriter experiences the reality of filmmaking under the threat of invasion whilst negotiating her way in matters of life, death and the heart. A screwball and yet moving portrait of the topsy turvy world of wartime London.
Official Selection Sundance Film Festival 2017 - Spotlight programme
Margaret must convince her daughter Louise to take responsibility for the family after the death of her father, whilst the family endures the ritual of a family portrait.
A love story about Catarina who bumps in to her old flame Diogo at the airport. During a very awkward conversation, and constantly interrupted by airport security staff and procedures, Catarina and Diogo unravel a big misunderstanding.
The idea for the film originated from the eight objects that were traditionally given in England to welcome a new child into the world; Egg, Coal, Evergreen, Salt, Candle, Bread, Coin and Silver Ring. Each symbolic gift has been the theme of a public event, created by artist Clare Whistler, in collaboration with leading artists, musicians, poets and documented from 2005-2015 by established filmmakers.
'Gifts' is an interpretation of the eight events, directed by Nichola Bruce. The film brings together English traditions of ritual and landscape.
Financed by the gift economy movement and Arts Council England.
