A man on a mission meets delays from a militant lollipop man, a boy on a scooter and a zimmerframe-toting pensioner before a waterside showdown and a date with destiny, tutus and Tchaikovsky.
In this surreal musical comedy, a love-sick computer programmer unleashes a devastating computer virus on his colleagues. The charming but deadly animated goes on to conquer the world destroying first language and then cosmic order. The Computer Virus is an all-singing, all-dancing romp through the complexities of communication in the modern world.
The last in the Fish in the Machine trilogy. A yellow puffer fish, caught in a world of mirrors, flickers from colour to high contrast black and white, in syncopation with the percussive rhythms of gamelan music. Suddenly, the video changes tone, incorporating an extract from a television broadcast with rather more political and social consequences for us all.
Ghost & The Crystal is a re-working in video clips from a film made by Stuart Pound almost thirty years ago. The new technology and the old examine each other with mock-cinematic effects of colour, contrast and movement. The soundtrack is contemporary music played on a traditional instrument of popular entertainment, the hurdy-gurdy.
Welcome to the 21st century. A story of England told from inner city London. Set amongst a landscape of police wagons and estate blocks. Trapped in a world where hate breeds hate. A story seen through the eyes of four young multi-cultural friends. One city. One weekend.
The basic plot tells the story of a twenty one-year-old university student, Manisha, and her English boyfriend, Paul. What follows is a typical and very moving story of the clash between her modern way of life and her parents preconceptions of how she must live.
It's the late 60s. The English invasion has conquered the world! The Liverpool Sound tops the charts in every country - except Ireland! There, so called Ceili music - a form of traditional music - still reigns supreme. And they're about to hold the annual Ceili competition to determine who's the best band in the land.
But could the unthinkable happen? Could an upstart English band from Liverpool win the All Irish Championship for the first time in history? Transplanted Irishman Jimmy MacMahon (Colm Meaney) and his motley English crew have their hearts set on it.
Meanwhile, back in County Clare, Ireland, Jimmy's stalwart older brother, John Joe (Bernard Hill) and his fiesty local band are determined to win the trophy for the third year in a row.
The long-standing feud between the MacMahon brothers finally boils over as each tries to sabotage the other and win the first prize, by hook or by crook.
Wnen Liverpudlian Teddy (Shaun Evans), Jimmy's best flute player, falls head-over-heels in love with Anne (Andrea Corr), the beautiful young fiddle player in John Joe's band, her overly protective mother, Maisie (Charlotte Bradley), fears her daughter will end up heartbroken.
In an attempt to stop Anne from seeing Teddy, Maisie tells her daughter her own deepest, darkest secret - the true identity of Anne's father. He is none other than John Joe's rotten but charming younger brother Jimmy, who promised Maisie the world and then abandoned her once she was pregnant.
Now, 20 years later, a boldfaced Jimmy shows up - with no apparent regrets - throwing Maisie into a tizzy and infuriating John Joe who was in love with Maisie himself before John Joe stole her heart.
When all the blarney's said and done, blood is still thicker than water, but - when the time comes to play - who' s going home with the trophy? Who's going home with Anne?
When a wedding comes to a small town in the Indian countryside, it's a good opportunity for Mrs Bakshi to find eligible mates for her four daughters, but the smart and headstrong Lalita is determined to marry for love. Sparks fly when she meets the handsome American Will Darcy, but is it love or hate?
Gurinder Chadha directs this Bollywood-style re-telling of Jane Austen's classic tale of marriage and manners, transplanted to modern-day India, England and America, and complete with lavish musical spectacle.
A Coen-esque black comedy set amidst the underbelly of the mini-cab demi-world in London. We follow a group of four drivers who inhabit a gritty cab office as they attempt to deal with a decline in business. We have Remi, who has been kicked out of his home by his wife and sleeps in his car boot at night. Danny, who prefers to engage his fists to settle disputes rather than his brainpower. Cola, who is tanked up with enough medication to kill a horse and Abdul, who sells anything from pirate DVD's to fetish wear from the back of his car. The minicab owner (Nikos) spends his time scuttling around in his dressing gown and slippers, fermenting his 'New Deal' strategy to turn around his economic fortune. Following an unscheduled visit from the local loan shark, he gives his four drivers an ultimatum. The two who bring the most money back to the office, keep their jobs. The other two can join the unemployment scrap-heap. Simple. This sets off a chain of events that stretches their characters, and ensures that the office will never be the same again.
Set over the course of a single day in June 1804, Beethoven arrives at the Viennese palace of his patron, Prince Lobokowitz, to hear his radical, new masterpiece, the 3rd Symphony for the first time.
With music by the acclaimed Orchestre Revolutionaire et Romantique, conducted by Sir John Eliot Gardiner, and starring Ian Hart.
