1973. Married couple, Daphne and Darcy Davenport, are two musicians who moved from London to a cottage in Wales to complete their new album. Here, a strange child enters their lives. By accident they record a mystical sound never heard before and gradually disconnect from reality.
Official Selection Sundance Film Festival 2025 - World premiere
Struggling to process the sudden and unexpected death of his wife, a young father’s hold on reality crumbles as a seemingly malign presence begins to stalk him from the shadowy recesses of the apartment he shares with his two young sons. What begins as a terrifying haunting, evolves into a battle of wills between a grieving family and their uninvited, unpredictable house-guest and tormentor; a man-like Crow, seemingly brought to life from the pages of Dad’s work as an illustrator.
Based on the award-winning novel 'Grief Is the Thing With Feathers' by Max Porter.
Official Selection Sundance Film Festival 2025 - World premiere
Official Selection Berlin International Film Festival 2025 - European premiere
Official Selection Karlovy Vary International Film Festival 2025
Official Selection BFI London Film Festival 2025
Aiden, a widowed robotics expert channels the grief of losing his ten year-old son into creating ‘Robin’, a fully functioning robotic doll. It finally seems he has found someone to keep him company in his lofty mansion.
Aiden’s estranged nephew and his fiancé unexpectedly return to the manor hoping to patch up the family's rocky past before their big day. The loved-up pair are instantly creeped out by the lonely man’s staggeringly realistic creation.
A series of terrifying events leave the young couple suspecting there's a more sinister side to Robin that even Aiden is aware of.
Dublin 1985. Teenager Billy is cultivating an obsession: he’s tracking down VHS tapes of films branded 'Video Nasties' – The video nasty ruckus was fuelled in the early days of home video by conservative activist Mary Whitehouse, concerned about the harmful influence of certain horror films deemed 'extreme'.
Official Selection Rotterdam International Film Festival (IFFR) 2025
Flesh as film, and film as flesh... An amateur archaeologist arrives on a desolate peatland in Lancashire, their mind filled with the strange power that peat-bog waters hold to preserve organic matter. They have come to excavate the peatland. They have come to exhume a body. But, in digging into the peat - and into the past - they unearth much more than mere relics. The peat holds forgotten histories, uneasy truths, and vast stores of climate-change-accelerating carbon. Reflecting the attempt to document and preserve this landscape via the moving image, the film becomes both a lament and a call to action for local peat-bog restoration and protection. A queer eco-horror which reflects on what it means to bury, to archive, to capture, to unearth. Shot in collaboration with the Lancashire Wildlife Trust, the film becomes both a lament and call to action for local peat-bog conservation.
In a world where everyone has a partner, a woman from the secluded society of rejected singles, known as the Leftovers, takes a bold leap of faith on a revolutionary new dating app, risking everything for one last chance at love.
In an isolated religious community ruled by men the Pastor’s daughter, Magpie, murders her abusive husband. In the process, she unleashes a malevolent force – a Beast with shimmering white eyes and a taste for foul men.
Suspicion and paranoia grip the community, and accusations are thrown at Magpie. The Pastor is unable to bring her back into ‘The Truth’, as the Beast’s allure takes its hold over her. When the Beast leaves a trail of gruesome carnage, a brutal witch hunt begins and the community spirals into darkness.
An hilariously twisted romp through Renaissance art, this critically acclaimed point-and-click game adventure tasks you with redeeming your soul – one questionable good deed at a time.
Immortal John is dying. As his last surviving heir, you have been summoned to hear his dying wish. Will he ask you to avenge his death!? To murder all those who have wronged him!!? To bring to fruition his life long plan to topple the ruling elite from within, shattering the balance of power, and ultimately saving the world!!!?
DEATH OF THE REPROBATE is a gentle story about helping people and being nice. Travel around a quiet, rural town - help the locals in their day to day tasks. Wander into the nearby woods - make idle chit-chit with a woman submerged neck-deep in a tiny pond. Climb to an idyllic viewpoint in the mountains, overlooking earth and sea and sky, help a man shoot some birds. This is a game full of slow burning simple pleasures... Until the Devil gets involved.
Official Selection BFI London Film Festival 2025 - Games Lounge at LFF Expanded
The film is set in a future where prejudice has forced mixed-species families of AI and humans to flee their homes. It centres around the daughter who tries to reunite with her father by breaking down the barrier that separates them.
A visually-arresting, psychologically layered journey through shifting states of consciousness. The film follows Pandemonia, a London-based conceptual artist who exists as a living artwork - an anonymous avatar navigating both real and constructed worlds. Against the stark backdrop of London’s high-rises, Pandemonia enters a mysterious castle whose corridors, stairways, and chambers form a labyrinth of the mind.
Reality and the subconscious intertwine as each ascent reveals dreamlike spaces, elusive memories, and fragmented versions of self. The castle becomes a metaphor for identity - unstable, multifaceted, and shaped by the interplay of perception and projection.
The work emerged from a unique collaboration with Chinese film maker Tim Yip, who provided a unseen film footage from the Love Infinity project. Using William Burroughs’ cut-up technique, these discarded fragments were deconstructed and reassembled into a new narrative through editing, animation, and digital manipulation. The film’s atmosphere is further enriched by an original score from Taiwanese musicians Code Wu and April Red, whose soundscapes heighten its hypnotic pull.
Blurring the lines between found footage, conceptual performance, and cinematic dream, THE CASTLE invites viewers to explore the unstable architectures of selfhood in our image-saturated, digital age.
