A feature length film exploring themes of identity, culture and the construction of history. Shot on 35mm film in various Californian deserts that provide a stage in which to re-enact the negotiations of an archaeologist from Cairo with a members of tribe who guard ancient culture hidden in tombs lost in the desert.
The scenario for the film was adapted from the 1969 Egyptian film 'A Night of Counting the Years' directed by Shadi Abdel Salam, creating a layered story that echoes from ancient Egypt to the diversity of desert ecology and recent archaeological digs for lost Hollywood film sets. Working in collaboration with the musician and composer Tom Challenger a new choral composition was created and recorded for the film, drawing on traditional and modern acoustic techniques to reflect the shifting sands of the desert landscapes.
Transcending a portrait of place, the quiet, eternal rhythms of the small fishing cove Penberth are caught, landed and served up in this stark and gentle handcrafted celluloid poem.
An exploration into the material agency of images and of forms. Shot on the volcanic island of Lanzarote, the film’s images are eruptions willed into existence by the creative act of the molten rock, the amorphous landscape dissolving subjectivity into itself.
The divisive and clandestine world of Crop Circles comes under threat when an ambitious TV Journalist investigating their creation plans to expose the truth. To call Honeystreet a village is generous but this tiny canal side hamlet not far from Stonehenge is Crop Circle Grand Central Station. Frustrated Brazilian TV Journalist Lara has been sent on a "nonsense mission" to the heart of the English countryside with Yossi, a war-torn Cameraman, to discover the truth about these mysterious formations. There they meet long-term investigator, the elusive and broken Hatter, desperate to reconnect with his son Dean. Only the local barmaid Aideen seems to know the truth about this clandestine world, but if she does she's in no hurry to tell. As they explore the various formations that appear overnight they are drawn deeper into the enigma of hovering lights, Celtic mythology, ancient monuments, irate landowners, UFO enthusiasts and researchers of these unexplained events to discover both the beauty and the danger in the truth they seek. 5 lost souls - each hoping to solve the unexplained phenomenon whilst resolving their own darker issues. The answers are written into the ground...
When volcanoes exploded in the past, they helped shape us as a species. From our earliest ancestors to travellers battling with the effects of ash clouds on airline flights, our evolutionary destiny has been played out in the shadow of volcanoes. One day in the future there will be another super-eruption like the one that triggered the last ice age.
In this global odyssey Werner Herzog explores why, where and how our lives are inextricably linked with the most destructive and creative force on Earth. Teaming up with the world’s leading volcanologist, Clive Oppenheimer, to bring the story of the relationship between volcanoes, our planet and human society.
Official Selection Toronto International Film Festival 2016 - TIFF Docs
The idea for the film originated from the eight objects that were traditionally given in England to welcome a new child into the world; Egg, Coal, Evergreen, Salt, Candle, Bread, Coin and Silver Ring. Each symbolic gift has been the theme of a public event, created by artist Clare Whistler, in collaboration with leading artists, musicians, poets and documented from 2005-2015 by established filmmakers.
'Gifts' is an interpretation of the eight events, directed by Nichola Bruce. The film brings together English traditions of ritual and landscape.
Financed by the gift economy movement and Arts Council England.
Set in a former Cold War era civil defence bunker turned data centre buried 30 metres underground in Stockholm. Part Bond villain lair, part retro-futuristic spaceship, the film explores the temporal nature of data space and geology. Once housing servers for WikiLeaks, issues of privacy, surveillance and digital sovereignty emanate.
India’s largest crowdsourced documentary. The story of a single day, 10th October 2015.
The film is a unique document, capturing a remarkable range of characters and personal reflections into what it means to be alive in India today, submitted by individuals from across the country.
Consumed is a cinematic journey through the landscapes, mines, factories, and shipyards of Chinese production.
Blurring the lines between documentary and fiction, a single worker narrates his story to the rhythm of industrial machinery, re-framing supply chains as a narrative performance at global scale.
Uncovering the veiled world of a Siberian Arctic mining city and how an unstoppable, unconditional passion for industrial wastelands makes its people blind to the threatening reality they face.
