Keva McCluskey, lead singer of UK indie band The Grams is the real deal. A genuine artist who is tortured by his own craft and his past. Keva is smacked with injustice when their inferior rivals Transbad Saints, led by the preposterous Helmet Horrocks, hit the headlines. But a fortuitous meeting with society Trustafarian Guy de Burret boots the unsuspecting Grams straight into the harsh limelight. Helmet can't accept this and the battlelines are drawn.
The Grams camaraderie is soon rent asunder, as a bewildering host of journalists, music moguls and parasites works its sinister magic. Keva has to confont his demons as The Grams have to fight to save their minds, their bodies and their friendship. They win, lose and ultimately, win again in this bacchanalian tale of sex, drugs. And rock'n'roll.
A heart felt comedy drama about a disillusioned man caught between his dream retirement holiday and his eccentric mother’s last dying wish: to re-unite his dysfunctional Jewish family.
Erica (Amanda Fuller) lives rent-free in the local co-op, but spends her nights trawling the bars and beds of Austin. Damaged, emotionally withdrawn, never really connecting with anyone, sleeping with men is just what she does - until she meets the older and mysterious Nate (Noah Taylor), working in a hardware store, but with an 'honorable discharge' from Iraq.
Despite his quiet air of danger, Nate's the only guy who doesn't seem to want to get her into bed at the first opportunity, and the two form a hesitant bond. But one of Erica's casual sexual encounters is about to bite back.
Franki (Marc Senter) is a young, hot-headed wannabe rock star trying to make it big. Looking after a sick mother and estranged from his longterm girlfriend, he 'shared' Erica with his buddies one drunken evening on the tiles. A shocking twist of fate is all it takes to throw his already crazy world into a spin, and in Franki's eyes there is only one person to blame.
Written and Directed by the creators of Shank, Darren Flaxstone and Christian Martin, Release is a love story that thematically explores the hypocrisy that society thrives on and which fuels prejudice and hatred. Emotionally rich and varied the story seeks to touch upon the honesty of true love and the deception of ideology, theology and morality.
Father Jack Gillie (Daniel Brocklebank) enters prison a guilty man, convicted for a crime that sees the Church abandon him, his congregation desert him and his faith challenged. His fellow inmates believe he's been convicted of paedophilia and begin to plant the seed of doubt into the mind of his teenage cellmate, Rook (Wayne Virgo). After rescuing Rook from a beating Jack now becomes the inmates prey. Protection comes in the unlikely form of a prison officer, Martin (Garry Summers) with whom Jack falls in love and together they embark on a dangerous and illicit affair behind cell doors. As trust forms between the two men so Jack feels enabled to confess the truth behind the crime for which he has been imprisoned. Emboldened by Jack's honesty the two men plan their lives together post Jack's release.
Prison gang leader Max (Bernie Hodges), however has ulterior objectives and sets about ruining this relationship and manipulates the Governess, Heather (Dymphna Skehill), into suspending Martin for misconduct after disclosing the affair. Alone and vulnerable Jack is now tormented and hunted by Max who takes revenge on him for his crime.
Waking from the near fatal actions of Max, Jack keeps his head down and bides his time comforted by letters of love and support from Martin - delivered with disgust and loathing by one of Martin's colleagues. With the end of his sentence in sight Jack readies himself for a new life and a new beginning with Martin. The only obstacle to this tabula rasa remains Max and Father Elliott (Dave Jones) the Church's messenger sent to establish what Jack's intentions are once free.
Furious after listening to the preacher at his dads funeral, spouting the usual half truths about the deceased, Rip storms off with his mate. On route he is confronted by a zealous street preacher who pushes Rip to the brink. The preachers faith is put to the ultimate test.
Mick takes his estranged son out for his birthday; a man desperate to prove he's changed. But drink and the simmering violence of match day in London brings out the worst in him over a long, difficult afternoon for father and son.
10 years ago there was a Rock and Roll band called The Fury.
Feted by Music Industry insiders, lauded by their fiercely loyal fans, they were tipped by many to be the breakout band of 1997.
10 years later, their debut album remained unreleased. The band split up.
Rock and Roll Stole my Soul is a retrospective documentary that looks at the rise and fall of The Fury. Archive footage of the band ten years ago is combined with interviews of the band in 2008 to tell the story of how the band that could have had it all ended up with nothing.
An offence has been caused. An offence has been taken. In downtown LA, two men journey to a meeting. To settle the score once and for all. A modern-day Duel Master awaits them. He confronts them with a choice of nightmares: to live a lie of civilized restraint, or risk all in the name of honour. With a pair of duelling pistols they seek Satisfaction.
In the jungles of Borneo, an Iban father on the cusp of old age begins a river journey to seek medical help for his sick child. Along the way, the boy is troubled by recurring visions of a strange figure who appears on the river bank. As the journey progresses, father and son are drawn inexorably to a final encounter with the mythical 'transformed' shaman who dwells deep inside the jungle.
Semangat was made by working closely with one Iban longhouse community from Sarawak, Malaysia with whom the story was devised and filmed. Set in the jungles of Borneo, the basis of the film explores the conflict that exists between ancient animist beliefs and modern approaches to illness. The main protagonists of the film are a real father and son, and a retired shaman from this community.
Semangat is a micro-budget hybrid docu-fiction film funded by The Channel 4 BRITDOC Foundation, The UK Film Council/CTBF John Brabourne Award and Screen South. It has been produced under the creative guidance of award winning filmmaker, Pawel Pawlikowski (Last Resort, My Summer of Love). It has been co-produced with The National Film and Television School.
Inspired by the life of legendary English rock 'n' roll singer and performer, Ian Dury of Ian Dury and the Blockheads. We follow the highs and lows of Dury's personal and professional life against a backdrop of his greatest hits. The story looks at his relationship with his son in parallel to his own childhood; Dury's upbringing depicts the story of a charismatic, crippled boy who overcomes great personal odds in order to establish his existence as a talented and determined individual.
A veteran of an anonymous war - Tom is haunted by memories. Lost and alone he finds himself in Tokyo, bombarded by the sights and sounds of a frantic city.
There he endures a tormented existence, desperate for redemption and the chance to live once again. The weight of his past however means there is no escape.
