Emi, a young girl with a stomach upset, enters an enchanting microscopic world inside a zebrafish and aids the defenders of her cells to outwit the invading Shigella bacteria. This magic realist film is based on the real life battle of scientists to find solutions to a global health problem.
After a couple of drinks, a girl admits to her best friend that she’s always wanted to know what it feels like to be kissed by a girl. But how will they feel, and has their friendship been altered forever?
Official Selection Stuttgart Animation Festival 2023
In 1988, a closeted teacher is pushed to the brink when a new student threatens to expose her sexuality.
Official Competition Venice Film Festival, Venice Days 2022
Industry Selects Toronto Film Festival 2022
Official Selection BFI London Film Festival 2022
Official Selection International Film Festival Rotterdam 2023
DO CHILDREN HAVE RIGHTS? is documentary film produced by Monty Lord, that will blow the lid on the world of children’s rights in the UK. The purpose of the documentary is to raise awareness of children’s rights.
A woman's 30th birthday brings up an unspoken spectre from the past and sparks a confrontation with her brother about the defining event which broke their family and their attempts to come to terms with it.
Esther and Chioma try to connect as Chioma struggles to fully understand the nuances of Esther’s life as a non-binary person. But through a queering of a Ghanaian naming ceremony, the couple are invited to reconnect in a rhythmic celebration of diasporic Black queer joy.
A love story, set in and around a beautiful old cinema on the South Coast of England in the 1980s.
Official Selection Telluride Film Festival 2022 - World premiere
FLOWERS is an afro-futuristic fairytale of love, following a ceremony of a mother giving away her son, Adopting references to classic Disney stories from the 1930s-50s, modernising tropes for a coming of age tale, the film reimagines what a black fairy-tale would look and feel like.
Anamika Fields is the daughter of an Englishman and an Indian woman. Her mother, Sadhana Tripathi, left behind a career as a Hindustani classical vocalist of great promise to marry her father and move to the UK. Her father died when Anamika was ten, leaving Sadhana, who never wanted to be a parent, who never wanted to live in England, to bring up her only daughter.
Twenty-five years later, Sadhana is suffering from the onset of dementia, a situation exacerbated by Sadhana’s reluctance to leave the house she has worked so hard for, Ana’s own precarious financial and professional circumstances, and the cost of specialised care.
Mother and daughter, strangers for over a decade, find themselves thrown together once again after all this time. This has always been a difficult, damaging relationship. Some of it was a by-product of their circumstance. And some of it was absolutely deliberate.
Anamika is forced to become several things, all at once: she is daughter and mother, care-giver and secretary and detective, shield and scalpel. Around her, in the neighbourhood she escaped, Anamika begins to discover a woman she never knew at home, alive in memory, in anecdote, in music she doesn’t understand.
Charles is attacked and stabbed, leaving him traumatised. Journeying home, he runs into a friend, but his shame of being a victim stops him from reaching out. Finally, Charles makes it safely back home, to the one person he knows will not judge. But Mum isn’t answering the door...
