One of the defining musicians of his generation, Patrick Wolf first found fame in noughties London. Shapeshifting between avant-garde artist and queer popstar, he was a maverick of his time. All until 2012, when his life fell spectacularly to pieces and music became a painful memory.
A decade of silence followed which saw Patrick confront immense addiction battles making him creatively incapable of finishing a song, ultimately leading him to escape the city that had both shaped and shattered him.
HOWLS TO THE HARBOUR finds Patrick in his newfound home on the East coast of Kent, four years into recovery and beginning work on his first album in over thirteen years – all from his garden recording studio, surrounded by instruments, relics from his past and cats Ronnie and Percy.
Directed by Tribeca Festival & BAFTA Cymru award-winner Christian Cargill, the film is a portrait of an artist, connecting with creativity again after redefining their meaning of home.
Izzy is assigned to photograph an empty Victorian manor prior to its sale. What should be a routine assignment turns into a nightmare when the house’s dark colonial past unearths secrets from the time of the British Raj. As unsettling visions and spectral apparitions of a vengeful spirit consume her, Izzy’s long-buried connection to her Pakistani heritage resurfaces with terrifying force. Trapped within the manor’s decaying walls, she must unravel its sinister secrets and confront the haunting manifestation of her own ancestral past - before it consumes her completely.
Official Selection Tasveer Film Festival 2025
Immerse yourself as a dark-web hacker in LILI, a neo-noir interactive adaptation of Macbeth set in contemporary Iran. As Lili plots a murder to secure her husband's rise in the militia, your covert actions expose the machinery of surveillance, power, and violence in a regime where nothing stays hidden.
Official Selection Cannes Film Festival 2025 - Immersive Competition
Official Selection Venice International Film Festival - Venice Immersive
Ava remembers her childhood home as a place full of amazing things and adventures. The day she returns home from university, however, everything changes: what used to be an exciting playground has become an oppressive box, and her mother’s things and fear of letting go overwhelm their home and their relationship. By dipping into memories and sharing a moment in time, can mother and daughter reach an understanding?
Hopeless romantic Alan is having a great first date with vegan heartthrob Blair, but when Blair gives him a jar of homemade kimchi, Alan struggles to control his erotic desire and finds himself in Horny Hell fighting to get back.
Official Selection Edinburgh International Film Festival 2025
Official Selection Palm Springs International Film Festival ShortFest 2025
Official Selection Official Selection PÖFF Shorts - Tallinn Black Nights Film Festival 2025
"Why does this keep happening to us?"
Doctor Wokozi asks the same question each time she meets Professor Seva. She has done it seven times already and this is her last chance. Despite the experimental success of Time-travel in 2060, developed with the help of Quantex Ai, humans cannot withstand more than eight jumps and Spacetime entanglement is unstable. Each trip that she takes is fraught with danger and uncertainty.
Equipped with a special pair of goggles, Doctor Wokozi has located Professor Seva's space-time coordinates in 2030. He lives alone with his plants, in an abandoned building - a decommissioned London hydroponic station. Each of her previous visits has been unsuccessful in convincing the reclusive genius to give up life in his current timeline and join her to save the world. She is now becoming desperate to finally transfer his consciousness into a storage device, so that she may bring him back to 2060, where his expertise on plants behaviour could help restore the biosphere and rescue humanity from extinction.
THAT TIME IS NOW invites us to reflect on what makes us human, when facing the perils of an ecological collapse, through the themes of consciousness, steadfastness, and selflessness.
An exploration of the fragile relations between art, money and protest.
Will a world famous actress refuse to go on stage for opening night of a West End play when she finds out that an infamous man - a criminal- is in the audience and is one of the major funders of the production?
Follow the creative team and her understudy as they count down to curtain up in this sharp satire which leaves the audience asking "Should she?"; "Shouldn't she?"; "Would you?".
On the surface, this is a simple story of Scott, a young guy who committed a series of murders in Dante’s bar. Amongst the bodies he discovered a business card for a specialist cleaning company and in his panic decided to call the number. He struck a deal with the voice at the other end of the phone: Scott can live a worry-free life for one year (the murders will be blamed on somebody else) but at the end of that year (and at exactly the same time that the murders originally occurred), this mysterious benefactor will come calling to collect his prize. Scott, believing that he had no other choice, agreed to this Faustian pact.
True to their word, one year later, Scott meets the somewhat odious Nikolas Apollyon back in Dante’s. During the conversation that follows, however, it dawns on Scott that he’s been tricked...
Exploring the reports of a spectral mansion on the outskirts of Rougham, a village in the Eastern county of Suffolk. The film delves into local folklore surrounding these sightings as villagers recount their haunting experiences against the desolate backdrop of rural Britain. It reflects on themes of memory, place, and the fading tradition of oral storytelling, evoking the eerie atmosphere of a fractured England and our growing disconnect from the natural environment.
