Projects with status: Post-production

Synopsis

Now in their 50s, four friends recreate an inter-rail journey across Europe, but this time 18-year-old Maddie is taking her mother’s place, fulfilling her dying wish. With lost passports, train strikes and romantic entanglements thrown in their way, they must put old feuds aside to complete the journey within five days and remind themselves that they are still at their peak.

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Two strangers stranded in the Scottish Highlands on Christmas Eve team up to try and get home in time for Christmas. Based on the acclaimed short film of the same title.

Synopsis

Yiling is detached but determined. She lives in a little flat in London with her cousin, opposite in spirit – grounded, but lost. When Yiling lands a job as a receptionist at an estate agency, at first she thinks it’s a dead end job. But then she discovers that the agency has on its books the flat once belonging to a serial killer. While the other agents scorn it, she discovers the flat could make her money… a lot of it. But what ensues is a surreal underworld of misfits all looking for a connection in a big city.

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Born In New York, Raised In Paris, chronicles the role of hip hop, in empowering disenfranchised black and Arab youths, in France, to highlight and protest police brutality.

Synopsis

A woman suffering from PTSD must trek back up the same mountain that she and her husband were pushed off months before to put an end to her nightmares and to catch her husbands killer.

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When activist Perween Rahman is murdered, her sister Aquila returns to Karachi Pakistan to investigate and finds herself caught up in powerful forces intent on stealing the city’s water. Based on a true story, INTO DUST is the fiction debut of Oscar-winning director Orlando von Einsiedel (THE WHITE HELMETS, VIRUNGA).

Synopsis

Following an interracial couple in Montana, as they prepare for their up-coming wedding. We see the challenges their Native/Non-native family face, and shed light on what it means to be a man and a woman in a patriarchal society. The film will leave the audience asking; How do we define identity? And where does the role of traditional culture start and end?

Synopsis

Feisty and quick-witted, Pixie (Olivia Cooke) decides it’s finally time to escape her rural hometown and criminal family – and exact some revenge along the way. Her plan: seduce a couple of gangsters into a high-stakes drug deal and make away with the loot. Everything goes awry when the robbery ignites an old rivalry between her father (Colm Meaney) and the dangerous priest-turned-mob-boss, Father McGrath (Alec Baldwin). When two naive friends (Ben Hardy, Daryl McCormack) accidentally save Pixie’s life, she turns on the charm and convinces them to tag along on this crazy dangerous adventure. With a body in the trunk and stolen drugs in the back seat, Pixie and the boys flee the wrath of McGrath and his gun-wielding gang of priests. But in order to survive, she must turn to her family for help, and embrace her gangster heritage one last time.

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Guy Harris, an arrogant and selfish corporate businessman, is devastated when he finds out he only has a few weeks left to live. All alone, with little time left he decides he must face his estranged father one last time. Hitting the road in ‘Bluey’, the rust bucket MG Midget that he stole from his dad after they fell out at his mum’s funeral, Guy travels the Long Road of self-discovery back to his hometown of Belfast. Along the way, he meets Bryn and Rosie and each encounter, each experience forces him to face up to himself, a man struggling to come to terms with long buried emotions. Guy learns that he must change if he is to put things right before it’s too late.

Synopsis

Martin Dyer is a very ordinary man with a very ordinary life. An insurance Loss Adjuster for many years, he spends his time assessing other people’s problems and ignoring his own. His wife Angie aspires to greater things and when finances hit rock bottom, she leaves him for a suave loan shark one week before Christmas. Martin is crest fallen but forced into continuing his day by the overly exuberant company secretary, who has scheduled several claims for Martin to validate. With a heavy heart, Martin sets off but his day drastically goes from bad to worse with a catalogue of extraordinary and humorous encounters with a flirtatious elderly widow, a corrupt Doctor, a lascivious female escort and a dead rat. It is only at the funeral of a client that Martin has an epiphany; and with the help of his unlikely friendship with a teenage thief and perhaps a sprinkling of Christmas magic, life suddenly changes in a truly remarkable way. The Loss Adjuster is a Christmas movie, an uplifting feel good black comedy that explores every day issues; aimed at a family audience.

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On November 24, 1971, a man calling himself Dan Cooper, wearing a black suit and raincoat, carrying only a briefcase, walked up to the Northwest Orient desk at Portland Airport and bought a $20 one-way ticket to Seattle. Once on the plane he handed a note to a stewardess saying he has a bomb in his briefcase and demanding that a selection of parachutes and a briefcase containing $200K in cash are brought to him as soon as the plane lands in Seattle. The FBI hastily gather the ransom and parachutes then drive onto the tarmac at Seattle airport to meet the plane. Cooper allows the passengers to go free and instructs the plane to take off again. A half-hour later, somewhere over Washington State, Cooper jumps. He is never seen again. Within hours, the FBI embarks on the largest search operation in its history, using spy-planes, helicopters, submarines and speedboats. They draft in hundreds of soldiers and recreate the exact flight path and jump site. Despite this, Cooper is not found. Over the years, Cooper’s identity has always remained out of reach. But 46 years later, the search has been narrowed down to four compelling suspects.

Synopsis

Who killed Wanda Lopez? The young store clerk was brutally hacked to death as she worked at a gas station in Corpus Christi TX one cold November night in 1983. Six years later, 27 year old Carlos DeLuna was executed for her murder. All along he protested his innocence, refusing to plead guilty. DeLuna said another 'Carlos' did it. At trial the prosecution derided his claim, saying the other Carlos was "A Phantom". DeLuna was right. The real killer was Carlos Hernandez, a psychopathic drifter with a string of violent assaults on women to his name – a man all too well known to the police and the D.A. This film conclusively proves that the US judicial system killed an innocent man, uncovering crucial evidence that demonstrates Carlos DeLuna’s innocence, beyond any reasonable doubt. THE PHANTOM is a searching, enraging examination of one of the darkest episodes in the history of American justice. It shows how a young man from a poor Hispanic background had no chance, faced with a judicial system bent on vengeance. Supreme Court Justices have already said this case calls the death penalty into question. THE PHANTOM proves them right.