BRANDED is a woman’s defiance, in the face of atrocity, to uphold Art and Freedom. Set at some time, in the past, present, or the future. A Ukrainian woman, captured by a regime that forbids artistic expression, challenges her oppressors. She is anonymous, without a presence in the world, the non-existence of a political prisoner. Pacing around the cell, her words directed at the Wall behind her. The Wall that protects her from what is beyond. From other cells, noises of torture are heard. The sounds of conflict increase as the war comes closer. Knowing she will die, her dreams are of the life she used to have, with freedom, laughing and painting in her studio. Her concern is not for herself when she asks, is this the end of Art? She has a vision and imagines Leonardo da Vinci visits her, and asks him, will Art survive? Her desperation increasing, she paints with her own faeces and urine on the Wall. Collapsing, she imagines a future artist visiting her cell. He tells her, Art cannot die, artists are the future.
Kateryna Polishchuk, a soldier in the Ukrainian army, is the voice of the woman in the cell.
As the Palestinian identity continues to be threatened with erasure, Palestinians turn to their folk dance, the dabke, to assert their existence. Ultimately, they dance because they love life, and insist on living it.
Official Selection Leuven International Short Film Festival 2024
Exploring the themes of migration, forced displacement and the removal of children. Intersecting a variety of personal testimonies expressed through music, interviews and poetry, these multi-layered responses reflect on the issues surrounding the complexities of both the historical and more recent UK immigration laws.
Impersonating the style of an NHS training films from 1960s-70s and shot on 16mm, the film is an exercise in queering the healthcare information film. Using a collated archive of healthcare experiences recorded with Birmingham's trans+ community the film explores the critical state of trans healthcare in the UK through ‘medical drag’ re-enactments.
A son is coming home and his mother is cooking his favourite meal. A short film about food, memory and loss.
Official Selection Hamburg International Short Film Festival 2024
When love comes knocking Greta’s world is turned upside down. As her passion grows complications follow, but change is coming in the shape of water.
Official Selection Animafest Zagreb 2024
Official Selection Sao Paulo International Short Film Festival 2024
Official Selection PÖFF Shorts - Tallinn Black Nights Film Festival 2024
A day in the life of Claire. FARM DAYS is a heartfelt glimpse into the world of a farm manager and her twelve alpacas as they engage in feeding, trekking, and community volunteering in the woods of Sheffield, UK.
The film centres around a small remote island off the coast of Greece, which is owned by Mr Goodwin. He has hired three young British people in their late 20s, Kai, Rosie and her brother, Daniel, to refurbish the only habitable house on the island, and its gardens, as part of preparations to let the island and the house out to city guests seeking a spiritual retreat and sanctuary. Daniel, Kai and Rosie have never met Mr Goodwin and are supervised by Mr Goodwin’s assistants who visit the island regularly. A surprise unsolicited visit to the island by a young Greek couple, Loukas and Themis, who seem driven by ideological social justice ambitions, creates a rift between Daniel, Kai and Rosie. Daniel finds himself caught between conflicting loyalties, as those around him gradually descend into a resentful ideological rebellion against the elusive Mr Goodwin and the classical and imperial history his heritage restoration project appears to celebrate. The resulting developments ultimately lead to a fateful confrontation with Mr Goodwin’s only son, when he unexpectedly visits the island in an attempt to rescue the wayward restoration project. No-one saw this coming and the consequences will be far reaching.
At 80 years old, Libby Houston still scales the 300-foot cliffs of Bristol's Avon Gorge to investigate rare plants. But as it stands, there's only one known member of her namesake discovery - Houston’s Whitebeam - and reflecting on its inevitable extinction prompts Libby to contemplate her own legacy.
Through tragic loss and discovery, this is the story of her life’s entanglement with the environment.
Despite their disinterest, a young child tries to convince her local community she wants to become a statue, bringing her on surreal voyage towards the garish monolith that lingers in the background.
Official Selection Annecy International Animated Film Festival Festival 2024 - Graduation Films in Competition
Mayaw's indigenous Taiwanese roots and his daughter's biracial identity are at the heart of their transcendent dreams. As Mayaw's mind fades, the call of his homeland grows stronger, leading to a magical reconnection with the help of lullabies and mystical guardians.
