Projects with status: Complete

Synopsis

A telephone rings three times in the dead of the night. A man called Peter Stillman is looking to hire a private detective, Paul Auster of the Auster Detective Agency, someone Daniel Quinn is not. Based on Paul Auster's critically acclaimed novel, 'City of Glass' this VR experience puts the user directly into the deeply emotional and disorientating story of Daniel Quinn, a reclusive crime writer who unwittingly becomes the protagonist in a real-life thriller of his own. The gripping, 4 minute experience combines hand-drawn animation and cutting edge technology to distort the line between reality and action, placing audiences at the centre of this narrative as the strange and haunting story unfolds. In a story about identity, 'My Name is Peter Stillman' makes us question who we really are in this fragile world.

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Aiden suffers from insomnia and back trouble. His marriage has broken down. He finds solace in a number of strangers he picks up, although he's now concerned someone is stalking him. Work is getting on top of him too, he murdered a couple of people last week and he still has more people to kill. Official Selection BFI London Film Festival 2017 - Journey Strand

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In a harsh Arctic landscape, a hungry and solitary polar bear has to decide if a naïve Canadian grizzly bear is her food or her friend. BAFTA Film Awards 2018 - Winner - Best Short Animation

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Amongst the 2011 London riots, a former boxer must choose between his past or a new future.

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Frank wants to be a world champion. His chosen discipline? Competitive stone skimming. A tosser for as long as he can remember, Frank believes that with discipline, dedication and purposeful practice, he's sure for victory.

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SLEEPING IN PUBLIC is a new collaborative moving image commission, collaborating with writer Ellen Wilkinson for Bristol Museum and Art Gallery. Captured at night in Bristol, the video work shows details of empty spaces: functional but overlooked parts of the city that in daylight would be populated by people working. In these dark images people are distantly present: a blurry figure passes behind a semi-opaque loading bay door; chairs wait for sitters to return; discarded paper cups are lit by the blue flashes of an emergency siren; someone wearing a high visibility jacket pauses in the centre of a car park. The measured – perhaps weary – voice of the European narrator describes workers in a warehouse of artificial plants and flowers. Without a defined beginning and end, this looping video reflects the repetitive nature of the daily work that many of us do, depicting workplace hierarchies and the subtle ways in which people's behaviour is controlled.

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'Strange Beasts' is an augmented reality game. It allows you to create and grow your own 'pet'. How far can it go? Official Selection Annecy Film Festival 2018 - Short Film Competition

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An unhappily married couple become locked in a poisonous stand-off over the breakfast table...

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Following the fun-loving Kerri as she spends the weekend with her sister's family. When tensions begin to flare, technology provides easy respite. But, when Kerri's gaze shifts from the screen, she discovers a deeper kind of connection.

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On the long journey home, a fisherman comes upon the wreckage of a ship and rescues a small boy that he finds asleep in a barrel. As a mysterious storm descends, he senses the arrival of a sinister presence.

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2018: neo-fascism has taken over. The government implements a programme to chip the population of the UK. Eloise, a documentary film-maker, suspects she is being brainwashed by a secret government organisation.

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"Romance, science and conspiracy in the 20th century." When Erica Thomas died in 2004 she left behind a vast collection of family photos, films, documents and objects dating back to the 1910s. Increasingly lonely in the years after her husband’s early death in 1973, this archive had become her defence against a future too painful to face and revealed experiences her children knew nothing of. Erica was born in Hungary in 1933 and came to England in 1938 but, despite her private schooling and studies at Cambridge and Oxford, she struggled to become English and to belong. Always feeling herself the outsider, her career nonetheless drew her deep into the hidden recesses of Cold War science; increasingly her internal psychological struggles reflected the trauma of world events. Spanning 70 years, travelling from Romania to Britain, via America, Antarctica and outer space, Voyageuse is a haunting portrayal of childhood, work, love, loss and grief, revealing one woman's ordinary life, lived through extraordinary times.