“Dreamlike, elusory, impressionistic. The film is not so much a drama as a sensory experience.” HollywoodInvestegator
“Night Kaleidoscope is without debate one of the most stunning films in Horror cinema. The way this production conveys horror defies artistry and validates this opinion.” Decay Mag
“In a glitched-out dreamlike urban backdrop, an investigator deals with killers that he thinks are not human. An ingenious film, it sets a default of reality-shifting fantasy–which, instead of diminishing, only heightens the intensity of up-close fleshy vampiric rituals.” Sam Vanivray, Amazon US
“There’s fab cinematography and a nice soundtrack. With there being more scene flashing and slow motion than dialogue, Night Kaleidoscope seems to focus on becoming a type of visual art than story share.” Hellnotes
“an authentically surreal, dream-like experience… that is disorienting and nightmarish in the best possible way.” SickFlix
“Night Kaleidoscope is a bizarre, psychedelic, artistic take on vampires” HorrorGeekLife
“There is a really unique and artistic feel to the film that is definitely accentuated by this. Some fantastic lighting and an extremely good synth soundtrack from Alec Cheer helps paint a really atmospheric picture” Midnight Horror Show
A film about psychosis and surveillance. A composite of fact and fiction, the film draws upon real-life accounts of a schizophrenic disorder: the belief that ones thoughts are being transmitted and heard by others. Set against the proliferation of mobile phone masts in the urban and rural landscape, the film reveals a fragmented inner world of paranoid delusions and acute anxiety, off-set by revelations of mass surveillance and data gathering by government security agencies. Filming locations include a psychiatric video recording studio, an abandoned broadcast television station and a military base used for mass communications monitoring and interception.
Part clinical observation, part psychological horror, the film is driven by a tense and dark electronic score by Lord Mongo, and interweaves the flickering detritus of analogue tape, monitors and studio cameras with layers of sampled archive voices; forming a picture of a psychotic state of mind, entangled in an interconnected world.
Official Selection Clermont-Ferrand International Short Film Festival 2017 - World premiere
BALLET POINTE SHOES is a short period fantasy and original fairy tale written by Gisela Pereira, inspired by the 18th and 19th century in England and the red shoes tale. It tells the story of a ballerina who breaks her pointe shoes and looks for a shoemaker to fix them. She encounters a magic shoemaker who is able to repair the pointe shoes giving them a life of its own.
Radical Tendencies is a social realist drama about Tahir Masum, an everyday young university student, whose life is changed when he is racially abused and influenced by a new “friend” into the world of radicalisation.
High-flying City lawyer, Amy Mustafi, moves into stately Winterstoke House in the English countryside following a breakdown at her work place, caused by the bipolar disorder she has battled all her life. Amy is charged with setting up the new family home while her husband Shayan ties up a business deal abroad.
A Romanian housekeeper and her young brother are engaged to help Amy run the house. They soon find a sealed off entrance to the former servants’ quarters of the estate. Upon opening the long-forgotten door, a string of seemingly supernatural incidents begin to occur.
Amy discovers the mansion has guarded a mystery for over a century. In 1914, three servants disappeared and the estate was swiftly abandoned by its former aristocrat owner, who fled never to return. She begins to obsess over solving the mystery, whilst unknowingly stoking her simmering mania. Is there something else at Winterstoke House with Amy? Or is it all a phantasm borne out of Amy's mental instability?
It began as the story of Dutch art lover, Michel van Rijn. It ended in murder and scandal.
Michel van Rijn made millions smuggling stolen icons, artworks, and rare antiquities into Europe and the USA, evading Interpol and the CIA. Throughout the 1970s and ‘80s he lived a playboy Jet Set lifestyle, living large and wide, bolstered by the false claim that he was a descendant of Rembrandt. Michel, however, was eventually captured, then extradited and imprisoned.
Michel ended up working for Scotland Yard, turning on the smugglers and forgers he had previously conspired with, drinking himself almost to death, and losing his son. Through his pioneering website, he became a crusader for the art world, uncovering trails of Nazi gold, then exposing terrorist networks financed by black market art sales. Unsurprisingly, several contracts were put on Michel’s life, including one by the Taliban.
He then disappeared.
Now in hiding at a Mossad-protected Jewish hotel in Europe, estranged from his family and seven ex-wives, Michel is under investigation from the FBI for masterminding the Isabella Stewart Gardner heist, where two unarmed men stole $500m worth of Rembrandts and other Dutch paintings, that remain unrecovered, and the crime unsolved.
Taking place over 10 days in the lead up to Christmas, 1966 and based on a true story. Infamous gangsters the Kray twins sprung Frank Mitchell (aka 'The Mad Axeman') from Dartmoor prison. Frank went into hiding in East London in a flat on the Barking Road with just a hostess and minder for company, whilst a national manhunt ensued for him and his capture.
As Christmas fast approaches, the characters locked in the flat become desperate, fearful and suspicious. At the behest of the Krays, Frank writes to the Home Secretary, and his case is debated in the Houses of Parliament. If he receives a parole date, he will agree to hand himself back in. This offer is declined and Frank becames a liability.
Frank falls in love with the hostess 'Lisa', and the dysfunctional family enjoy a final Christmas Eve dinner. On Christmas day, Frank thinks he is leaving the flat to go to the countryside and to be the Kray's right hand man. In fact he is taken outside, put in a van and shot multiple times.
The adventures of writer and magizoologist Newt Scamander in New York's secret community of witches and wizards, seventy years before Harry Potter reads his book in school.
Adaptation of the first of J.K. Rowling's 'Fantastic Beasts' trilogy.
The true feel-good story of how James Bowen, a busker and recovering drug addict, had his life transformed when he met a stray ginger cat.
Based on the international best-selling novel written by Bowen with Garry Jenkins.
“We are the body. We are under attack." And so the body's immune system is triggered into action. A raging battle has begun between pro and anti-inflammatory forces in the swirling interior of a blister.
'Battle of Blister' was generated by human performers in an interactive film set.
Based on the 1940 South African trial of a traditional herbalist accused of 'untraditional behaviour, the film explores the ideological and commercial confrontation between two different yet intertwining medicinal traditions and their uses of plants, with slippages across gender and race.
Taking its title from the French Surrealist artist, Claude Cahun’s (1894-1954) incomplete memoir 'Confidences au miroir', Sarah Pucill's film brings life to the photographic and written archive of Claude Cahun amidst a visual extravaganza of costumes and hand-made sets.
Following Cahun’s text, the film includes Cahun’s early and later life and work, including her political propaganda activity and imprisonment in Jersey with her partner Suzanne Malherbe during the Nazi occupation of the island. The tracing of a life is made conscious through the projection of images of the couples' home in Jersey into a domestic London setting.
As a sequel to director Sarah Pucill's previous film 'Magic Mirror' (2013), this film continues her experiment to bring cinematic life to the photographic and written archive of Claude Cahun. In this film Pucill animates re-stagings of Cahun’s black and white self-portrait and still–life photographs with voices from Cahun's text 'Confidences au miroir', collaging and transposing black and white stills and words, into colour and soundscape.
Official Selection BFI London Film Festival 2016 - Experimenta Strand - World premiere
