A 13 year old girl in Salford craves the unconditional love of her own child, until one day and a fateful moment - she makes the decision to steal a baby.
This short film tells the story of Ash, a mixed-race girl from Old Trafford, Manchester, UK. On a youth referral scheme, we see Ash travel to the iconic Salford Lads Club where she takes up boxing as a way of dealing with her troubled past. By portraying Ash’s experience of the sport, the film highlights how the boxing ring can be a neutral space where race and neighborhood politics are left outside.
The film looks at not only Ash’s own experience of racism, but also the preconceptions she and others hold about other people and places.
Clench demonstrates how boxing can become the ultimate visual tool for communication between generations, highlighting that every person has a story to tell regardless of how they look.
Communion is a story of sibling love and rivalry, set during the violent period of the 1970s Troubles in Northern Ireland. Family man Michael feuds with his wayward, rebellious brother on the day of his little daughter’s Holy Communion. For 6-yr-old Anna, it may be the last time that she will see her Uncle Patrick.
The death of Isaac's father in suburban Sydney reveals a deep schism in his family and prompts his return to the family homeland and its deadly legacy.
In his parents' village in Greece, Isaac learns something of his father's cursed history. At first he dismisses the revelation as superstitious nonsense. But, over the course of his travels through Europe - from Greece to Paris to Budapest - Isaac is forced to confront the antisemitism of the past, the bigotry embedded deep in the bones of Europe and the nature of inherited guilt and secrets.
A deaf and blind woman feels Christ's presence in her home despite her deep depression. Is it Christ? Or a disturbed young man who has developed an intense obsession with her?
When death tries to steal away Jack's mother, the
opposing parties engage in a tussle that will see the antagonistic
force contained in the shell of a nut and cast into the ocean.
Seven years ago, Faith dumped her rape child on her sister. Now, pregnant with a second child, she desperately wants her daughter back. But, her boyfriend and her sister have conspired to have the girl adopted. Agoraphobic and bordering on the edge of sanity, Faith's seemingly hopeless attempts to win her daughter's trust result in disaster. Haunted by demons and unable to accept her past or her present, Faith's only solace is a childhood dollhouse, a fantasy space where 'bad things never happen'. A place where she plays at being a real mother. Luring her daughter into this make-believe world, the dolls begin to reveal themselves as thin veil covering the shocking secrets of her past. With reality crashing in on her, she finally has to face the truth about herself. A revelation that will transform her life.
Thrown straight into the emotional turmoil of the Faith's fragmented and disturbing world, the narrative gradually reveals itself as the pieces fit together. Told in a distinctive visual style through Faith's distorted perspective, we experience her anger, horror, fear, pain, and finally joy as she battles to be a real mother.
What happens when you put a blindly enthusiastic American with a disneyfied view of English life in charge of a run-down inner city British library?
Welcome to Shawcross Library managed by Mia Taylor-Clarke - hoping to kick of her reign with a book reading to remember of Philip Dunleavy's Survivors - a 9/11 memoir - rather than the Zombie Apocalypse novel she thought she was hosting.
