A short fictional film involving one lone man with an implanted user interface within his brain. An interface that has become infected with a 'virus' to his human mind. But is the 'virus' what it seems?
Axis of Light, is a poignant observation, through the work of eight leading artists;
Rachid Koraichi, Jananne al-Ani, Etel Adnan, Shirin Neshat, Youssef Nabil, MonaHatoum, Mona Saudi and Ayman Baalbaki to the beauty and mystery of the Middle East which is often ignored, especially today where strife, anger and violence demand centre stage in our media…where stereotypes and prejudices distort our view of this region. Through their eyes, the film moves between their worlds…between the worlds of both the East and the West and the past and present…exploring the meaning of their existence, identity, conflicts of sexuality the isolation of woman and the fragility of home and place. The history they have and the future they can lead us towards. It is a story of hope, but one that recognises the power of expression often against the odds.
A trailer for a short experimental film by James Batley using animal totems and occult magick to exhibit and effect transformation 'as above, so below' augmented by an arresting ritualistic soundtrack.
The story of Bradley Manning, not as a Wikileaks ‘hacktivist’, but as a young American soldier simultaneously going through a crisis-of-conscious and a crisis-of-identity.
Animated in a rotoscoped pixel-art style and using dialogue from Bradley’s online conversations, the film explores issues of personal and political secrets, digital identity and alienation.
When his ex girlfriend Joanna is killed at a local train station, average schoolboy Callum struggles to cope with feelings of guilt, grief and fear. Finding himself increasingly isolated and with the police starting to ask questions, Callum must look for the courage to do the right thing.
Consistent failure on stage, combined with mounting debts, means Andrew having to find employment and potentially giving up his dream of becoming a stand-up comedian.
Accepting a new job he finds his most undistracted audience yet - the deceased.
An abstract comedy for devices such as iPhones or iPads, using emoji (Japanese text message character pictures) as material with which to draw. The script is is an attempt to connect the symbols, and to celebrate the unpredictable, hilarious, moving and complicated nature of communication and understanding.
Martin is unfit, so he starts jogging. In the first few days of his new routine he finds a route through the woods, and most mornings his journey is punctuated by little more than his own laboured breathing. But this morning is different.
When he sees a man, burying a girl, he does what most of us would do - he runs. Then he makes a decision he will come to regret - and goes back. Martin doesn't know it yet, but it's the worst decision he ever made.
As his fascination with re-enacting grew, Jon discovered his uncanny resemblance to one of history’s most nefarious characters.Apparently it’s to do with the shape of the jaw.
'Is this free?' 'Yes, of course'. A standard question followed by a standard response. For most of us – just another part of our daily lives that we quickly pass-by without a second thought. But for one man it is something more – a chance to communicate, challenge, and engage.
They say Philadelphia is the capital of boxing and Joe Frazier’s gym is the Whitehouse. Joe Frazier, one of the most famous athletes of the 20th century, is lost in the legend of one of the greatest rivalries in the history of sport.
Filmed during the final years of the iconic boxer's life and told through the voice of son Marvis, this documentary reveals the story of the real Joe Frazier for the first time.
For over forty years, since the last of his million dollar bouts with Ali, Foreman and others, Joe’s commitment to his adopted Philadelphia neighborhood kept his landmark gym alive. Now, tragically, it has to close.
