Bad Owl And The Fox Boy

Director: James Batley

Year: 2013

An exploration of the mystical subconscious rituals that govern our lives and bind us or drive us apart. As constant and as intangible as the seasons of the earth; that ebb and flow like the tide; that nourish like a mother and torment like an unseen demon

Director: Julia Fry

Year:

Using ideas from Carl Jung - exploring and accepting the inner world, Carolyn Abbate - analysis of dissonance to find the narrative voice - and Hilde Lindemann Nelson - using narrative to repair damaged identity, I filmed my process of creating puppets and recorded some of the thoughts that arose as I made them. I utilised emergent practice in the filmmaking, which meant letting go of preconceived ideas to let narrative arise in the moment. I wanted my puppets to unite, rather than fight in the traditional Punch and Judy manner.

Director: Jack Jeffreys

Year: 2026

Fish are nightly invaders of my sleep. Work consumes my dreams. Night gives way to another commute; adverts appear before me, their faces drawn tight. The day passes again, and at night, within the walls of my workplace, a fishmonger’s in London, dreams appear again, this time, a grief-stricken reverie, memories of my father. The film's title is inspired by Maurice Blanchot’s ‘The Book to Come’ which incited my exploration of whether images can capture anything sacred in a world of dispossession. A diaristic, psychogeographic journey through a city that metastasises uncontrollably before me, the film captures a form of alienation that supersedes and confounds the trajectory of grief. What is lost when all becomes gloss? Official Selection BFI London Film Festival 2026