Projects matching: Jones

Synopsis

Dedication. Commitment. Consummation. A High Priestess of Pain and her Devoted Disciple immerse themselves in Holy Slaughter. Tastes Like Tuna brings you the edited highlights.

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The morning after the night before, a rapid spiral of increasingly disastrous telephone conversations chart the certain ruin of young Phil's day as he attempts to fib his way out of one scrape after another.  

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Light satiric drama about the chaotic pleasure of relationships. The young caretaker, Johnny, sees himself as a non-believer in love, until he bumps into a French girl, Marie, under a bed!

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In this new film, starring Lee Evans and Kathy Burke, the Martyns, to outsiders, are the kind of people that you'd cross the road to avoid, but though they're the family from hell, once you get to know them you can't help but love them. Robert Martyn (Lee Evans), an unemployed but optimistic loser, lives with his adoring and long-suffering wife Angie (Kathy Burke). They have two children - Katie, their heavily pregnant fourteen year-old daughter, and angelic Little Bob, their eight year old son who worships his Dad. Everyday he wakes up thinking that things will turn out better for him and his family, and that one day he'll win one of the competitions he's always entering. All he wants to do is give his wife and kids everything they really deserve. When Robert discovers that yet again he hasn't won the 'Dream Holiday' of a lifetime, a competition in his local newspaper, he finally snaps. He decides to take the law into his own hands; if he can't win a holiday, he'll just have to steal one!

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Annie-Mary is an awkward and secretly rebellious 20 something still living at home in a village in the Welsh valleys with her womanising widowed father. Moral support comes from the odd collection of characters who make up the population of the village but it takes a series of calamities with unexpected silver linings before Annie-Mary can finally stand up and claim her freedom. Very Annie-Mary is a joyful, poignant film about striking out against the odds, and winning in the most eccentric way.

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Melancholic postcards of beautifully ugly places, old age, anger and bewildering complacency. A dance film about what it's like to be a Welsh Boy.

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Three years ago, Lawrence Ledbetter, a brilliant, but crooked accountant had a get-rich-quick plan that needed a run-down town and a set of corrupt local businessmen and officials. One day he walked into Weyback. Every phase of the town's regeneration scheme made The Fellowship, as Lawrence called the Weyback fraudsters, richer and were soon laundering Russian Mafia money, Then, Lawrence left town with half The Fellowship's and all of the Russians money. Now Lawrence is back in town and with the Fraud Squad circling, the Russians wanting their money and The Fellowship's new leader wishing the obvious imposter dead. He just about manages to keep one step ahead, surviving car-crushing plants, deep river mud, shoot-outs and strangulation. He finds comfort with a night club chanteuse but then finds himself on the wrong end of her gun when the wedding in the bedding goes badly. Led to him by a crazy ex KGB mole and armature ballon strangler, the Russian hit man and his rubber-suited female colleague, Lawrence finally realises what must be done and enlists them in the dead of night under Weyback's new motorway, to serve justice so Lawrence can once again leave Weyback for good.

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An intriguing mixture of moody film noir and modern-day western, Where Have All The Cowboys Gone? is the third feature from Pilton Pictures after the controversial The Priest And The Pirate and romantic comedy Happy Ever After. Trading on genre cliches of cheating hearts, two-timing friends, avenging angels and the iconic influence of Clint Eastwood, it is laced with a dark humour that lends a distinctively Scottish flavour to some quintessential American ingredients. 'I think it's very European in the way it was shot, but quite American in the way it deals with narrative,' explains writer/producer/director Hugh Farrell. 'It is a kind of hybrid - a sort of haggis-noir western. I also think people will find it very funny and respond to the talent of first-time actress Sam Tonks.' Devised, rehearsed and shot in a breathtaking eight weeks, the project brought together a dozen first-time actors to work on fleshing out a script, developing their characters and testing the storyline. Shot in 16 days, it made the low budget its aesthetic, seeking creative solutions to financial obstacles. 'People have embraced the Dogme school of film-makers as a breath of fresh air and a different response to the sometimes overwhelming industrial process of making films,' says Farrell. "We've found an energy and immediacy in that kind of highly condensed, pressurised way of working that we chose.'

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The filming of F.W. Murnau's 'Nosferatu' is hampered by the fact that its star Max Schreck is taking the role of a vampire far more seriously than seems humanly possible. Official Selection Berlinale 2018 - Homage

Synopsis

Newport and the Gwent valleys provide the backdrop for this gritty, hardhitting film. It's the last night of the Millennium and it's also crunch time for three couples. Lee is a local rock singer who's tuning up for what could be his big break - a gig in London. It may be a chance to escape from Wales but can he escape from his troubled past? Dafydd and Susie are expecting their first child but footloose Dafydd is afraid the baby will stifle his freedom. And eloping to freedom is what's on Howard and Alma's minds as their affair reaches a climax. Three couples. Three crises. One hell of a night.

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In 1935, when it was more common for Irish families to leave their famine-stricken country for America, the impoverished McCourt family does the reverse. Angela and her alcoholic husband Malachi set sail from New York Harbour to Cork with their four children, Frank, Malachy Jr. and twins Eugene and Oliver to a land which a mystified young Frank had only heard of as 'where there was no work and people were dying of the starvation and the damp'. A cold greeting awaits them in Limerick by Angela's Catholic family. Grandma lends them money for a small place but any hope of their luck changing soon disappears with Dad not being able to find employment, and Oliver and Eugene dying from malnourishment and the damp. Dad's spirits sink lower and he drowns his sorrows in alcohol. Edinburgh Film Festival - nbx write up: As soon as he finished reading Frank McCourt's Angela's Ashes, the devastating portrayal of a child growing up in Ireland, British film-maker Alan Parker tried to option the film rights. Although they had already been acquired by US producers David Brown and Scott Rudin, Parker soon signed on as director, taking a production credit via his London-based Dirty Hands Productions. The director then updated the first draft of the script written by Australian writer Laura Jones. "Adapting any famous literary work is problematic in that, in the compression to a manageable cinematic shape, inevitably, certain characters and situations will be excluded," Parker said. At that time in 1998, Dirty Hands had a first-look deal with PolyGram Filmed Entertainment, now known as Universal Pictures International (UPI). UPI agreed to back the project along with Paramount Pictures. With two-times Academy Award nominee Emily Watson and Robert Carlyle in place as the leads, and three boys cast for the three ages of Frank, production began in September 1998. "Our film had the advantage of being financed by two studios and so we had the luxury of moving this huge travelling circus around Ireland," says Parker. The team decided to shoot in Dublin and Cork as well as Limerick, the western Irish town where the majority of the book is set. "It was obvious that a patchwork quilt, a mosaic of different places, would have to be put together to accurately replicate the Limerick of 50-odd years ago," says Parker. Angela's Ashes wrapped in December 1998 after a 75-day shoot. It was released in the US in December 1999.

Synopsis

The story of one woman's desire to reclaim her independence. It's all happening this afternoon! Edith's been busying herself, getting the whole community going - even the Vicar's on her side. Crippled by a stroke, Edith communicates when she wants to with her finger, one tap for no, two for yes...