In 1960, shy and stuttering Teddy Boy Johnny Taylor wanted one thing – to dance with Sally, the girl of his dreams. But Johnny’s dream turns into a nightmare. Beaten by Sally’s boyfriend Creeper he finds himself at the centre of a murder on the dance floor. Panicking, Johnny flees the scene only for his car to veer into the river, sending him to a watery grave.
40 years later, a pirate radio station playing the sounds of the fifties awakens Johnny from the dead. Driving through the night in his spectral motorcar, he is a monster in search of lost emotions. The modern world looks like it did in the fifties through his eyes and memory sees him return home to his Ma. Despite Ma’s best efforts, all Johnny does is sleep - except between midnight and 2am when Radio Rockabilly is on air. Re-animated by the music, he drives the streets searching for Sally and looking to avenge his death. Following a series of strange murders, one-armed Memphis cop, Lt. Annie McKenzie is drafted in to investigate. She soon realises that even though they said Rock n Roll was dead, Johnny’s back - alive and killing.
Sam, a chubby adolescent boy with low self-esteem is forced to confront the greatest challenge of his life - using the grimy school toilets. Overcoming his fear, he lands in a more compromising situation after getting locked in the toilet with the cleaner - an attractive older woman. Feeling awkward and embarrassed, Sam accidently gets trapped into a steamy conversation with her, oblivious that she is actually on her mobile phone talking to her boyfriend. Confused and uncomfortable, he bolts out of the cubicle only to realise, to further embarrassment, his mistake.
Luke fancies Mandy, Mandy fancies Harry, Harry fancies Helen and Helen fancies anyone. Mandy fancies (unconsciously, of course). This is a film about friendships and relationships and how they keep coming in the way of each other.
A man and a woman meet in a quiet English seaside town out of season. We learn that they have met online, and that this is their first meeting. But all is not as it seems, especially once they have got back to the hotel room booked for the occasion, and the true purpose of their liaison starts to become apparent.
An experimental film essay investigating the cultural importance of cinema. In an age dominated by the moving image what would it feel like to never see an image of the place that you came from?
The Palestinian Film Archive contained over 100 films showing the daily life and struggle of the Palestinian people. It was lost in the Israeli siege of Beirut in 1982. Here interviewees describe from memory key moments from the history of Palestinian cinema. These scenes are drawn and animated. Where film survives, the artist's impressions are corroborated. This is a film about reconstruction and the idea that cinema is an expression of cultural identity - that cinema fuels memory.
Smoke is used as a device to exploit extreme contrasts of light and dark. This theme of contrast echoes throughout the work as notions of presence and absence oscillate, and redundant, toxic waste is briefly transformed into a magnificent celebration of 'being' before gently dissipating into infinite time and space.
Francis is an account of the creation of a 9-year-old 'defective' animated character. As the draughtsman’s hand goes to work and Francis attains animated consciousness, his behaviour is observed and assessed by a child psychologist. The boy’s responses – initially slow and apparently flawed – develop in unusual comic directions as the examination progresses.
As his vocalisations begin to address the nature of his animated world and the psychologist continues to try and interpret his actions, it appears that Francis may ‘break out’ once and for all and become a ‘real’ animated character. Francis playfully addresses notions of construction and the role that language plays in interpreting, classifying and creating certain types. In an animated world populated by impressionable idiot figures, mischief-makers and oddballs with strange vocal mannerisms, Francis puts the cute but simple cartoon character into therapy for a case study of 'animated behaviour'.
When trainee doctor Catherine Thomas administers an untested cocktail of drugs to a critical coma victim, the patient is jolted into a startling 'out-of-body' state, enabling him to take revenge on the careless medics who left him in this condition. As the comatose patient's murderous supernatural powers increase, Catherine is running out of time and allies. Worse still, she has become the latest target of his unshakeable thirst for vengeance.
Ondene is beautiful, talented, and destined to study law at Oxford if she gets good A-levels. Nothing less will satisfy her domineering, mother, Hyacinth.
When a, basketball court is set up near her private school, Ondene is charmed by a charismatic, freestyle basketball player, Leon, and they decide to enter a competition. From a deprived background, Leon dreams of going to university, and needs to win to pay his way.
Ondene deceives Hyacinth to be with Leon, and romance blossoms. But just before the freestyle basketball and A-level finals, Hyacinth finds out, and splits them up. Angered by Hyacinth's interference, Ondene decides to take charge of her life but she has to make tough decisions about her family, education, and the man she loves.
A comedy in which three slackers meet a woman in their local bar claiming to be from the future. They suspect a prank until they stumble through a time leak showing a tragic end for them all. They spend the rest of the evening frantically trying to avoid earlier versions of them and attempting to unravel the mystery of just who is trying to kill them and why.
