The Emperor of Hebalon dies a dramatic death, taking a terrible legacy with him to the grave. It is widely feared that the Zeriths, the Hebalonian's arch-enemies, have fanned new heat into the embers of the muderous enmity that has existed between the two nations from time immemorial.
Martial law is declared, and the heavy gates in the city of Hebalon are locked firm. No outsider can gain entrance. The Emperor's young and untried son, Hal Tara, who is now the heir apparent to the throne, is charged with avenging his father's death. But Hal is unaware that his kingdom is threatened from within, where traitorous and malevolent elements are planning to overthrow him.
Hal manges to gain access to the Zerith camp, but he is no longer so sure who is friend, and who is foe. As Hal gradually starts to come of age as a warrior, he falls deeply and passionately in love - a love that proves to be as blind and unreasoning as hatred itself.
It will take a moment of revelation before he is finally able to distinguish between his true friends and his true enemies. But it still remains to re-establish peace and justice in the land. A major new war is brewing, but battle-lines are unclear - and behind lose lines there are both friends and enemies.
What do you do when you are made Best Man to someone you hardly know and end up falling for his bride to be?
Olly is a gifted writer - in fact a publisher has given him a healthy advance. Unfortunately he has also been struck with writer's block and frittered away said advance.
Then, out of the blue, James, Olly's best friend from university whom he has not seen for five years, gets in touch. James is getting married and he wants Olly to be his Best Man. Olly is immediately terrified about how he is going to write a speech when his writer's block is so extreme. His fears are briefly pushed aside at the engagement party when he meets the girl of his dreams - until James introduces her to Olly as Sarah, his bride to be!
Murray, Olly's best friend, can see only one course of action - Olly must break up the happy couple and make Sarah his own. However, Olly opts for plan 'b' - to simply avoid Sarah at all costs. But this is not as easy as it seems, especially with Murray working behind the scenes.
When Sarah unexpectedly calls off the wedding James begs Olly for his help. Olly is torn between his moral duty and his love for Sarah. He decides to come to his assistance and offers to help James write a letter expressing his feelings for Sarah. On reading Olly's words Sarah is smitten with James once more, but by now Olly has realised that James is not the man he thought he was.
Can Olly prevent Sarah marrying the wrong man?
From Fernando Meirelles, the Academy Award-nominated director of City of God, comes a gripping new film that sweeps audiences along one man’s emotional and global journey to uncover the truth behind a personal loss and a worldwide conspiracy.
In a remote area of Northern Kenya, the region’s most dedicated activist, the brilliant and passionate Tessa Quayle (Rachel Weisz), has been found brutally murdered. Tessa’s travelling companion, a local doctor, appears to have fled the scene, and the evidence points to a crime of passion. Sandy Woodrow (Danny Huston), Sir Bernard Pellegrin (Bill Nighy), and the other members of the British High Commission assume that Tessa’s widower, their mild-mannered and unambitious colleague Justin Quayle (Ralph Fiennes), will leave the matter to their discretion, but against their advice, Justin takes matters into his own hands to find his wife’s killers and avenge her untimely death.
Two-time Academy Award nominee Ralph Fiennes and Rachel Weisz head the cast of the romantic thriller The Constant Gardener, adapted by Jeffrey Caine from the novel of the same name by John le Carré and filmed on location in Berlin, London, and Nairobi and numerous other parts of Kenya.
A poet and his friend are evicted from their studio by an advertiser, just as love is blossoming between the poet and his neighbour. The advertiser steals his poems and uses them to win her over. She discovers the deception, but too late.
Jeda, a feckless young Australian, lives in rural Hampshire with his girlfriend Stacey, until his daily routine of cheap beer and bad telly is alarmingly disrupted by a chance confrontation with the arrogant and pompous Monty. Jeda finds that he must prove his own worth to Stacey, to Monty, to the world and to himself. And what better way to achieve this than by starting his own political party. He teams up with his friends Weazel and Tim to save the planet and create world peace.
Three highly acclaimed directors join together to direct three interwoven stories that take place during a journey from Central Europe to Rome. The charcters connect through casual encounters and set forth a story of love, chance and sacrifice.
One older businessman finds solace and a new insight into life when he is forced to wait at the train station due to bad weather. A young man is reminded of life's obligations but is also introduced to love. And three Scottish youths on their way to the football match of their dreams are forced to open their eyes and see the bigger picture.
One single train journey sparks many changes for many people. This is a film about priviledge and exclusion, and the reality of the value of just one 'Ticket'.
Shipwrecked on the coast of Illyria, Viola finds herself in the midst of a fairytale. Shot entirely on location in the Greek islands, this jazz-age take on Shakespeare is a laugh-out-loud portrayal of romance at its most chaotic. It follows Viola’s strange and often hilarious encounters with the inhabitants of Illyria, and her struggle to survive in an unknown and bewildering country. An unrepentant dreamer, she finds happiness by retreating into her imagination – only to discover that, in Illyria, fantasy can turn into reality overnight. But if everyone’s dreams can change the world, then you’d better hope that no-one starts dreaming about you – especially not Illyria’s love-struck Countess, who’s hell-bent on getting her happy ending - A tribute to imagination, friendship, and imaginary friends, Twelfth Night’s laughter is tempered with a touch of melancholy, and another of wonder. ‘Just for once, you should believe the hype’ (BBC Radio). Dream on.
Future Legend has made several fictional films covering a range of genres. Always setting themselves high standards, their emphasis has been to produce high quality short films with a clear narrative, strong characters and wry humour.
In their latest production, ‘Up The Hill Backwards’, Future Legend has emulated what you might categorise as the classic European film style. The Director Richard Mann has followed his cinematic influences, such as Jacques Tati, Laurel & Hardy and the Ealing Comedies, to produce a highly stylised and distinctive film.
Set in a lively and energetic café ‘Up the Hill Backwards’ follows the mishaps of our hero, Charlie (played by Richard Mann). Charlie has just moved to town and is enjoying the active café culture when he catches the eye of Nadine (Beccy Killgariff). Stopping him in his tracks she hands Charlie her number with the intention of meeting for a date.
However, Nadine realises that Charlie isn’t all he is cracked up to be.
Yasmin (Archie Panjabi- Bend it like Beckham) is a spirited women whose life in the North of England has become a precarious balancing act as she attempts both to please her traditional Pakistani family and enjoy the freedoms of western life. Having rebelled against her family as a teenager, Yasmin yields to the demands of her widowed father and agrees to marry a cousin 'from home'. The omens are not good when the goat-herder from a Pakistani village meets the vivacious, westernised Yasmin.
After the shocking events of 9/11, Yasmin's life begins to change; her innate sense of confidence starts to evaporate and she becomes increasingly ostracised at work. Yasmin is only jolted out of her crisis of identity when she witnesses the brutal internment of her husband under the draconian rules of the Anti-Terrorism Act. The injustice of this event forces Yasmin to re-evaluate her faith, her culture and her relationships. The scene is set for a compelling and and topical personal drama of what it means to be Asian, Muslim and British in the 21st century.
Written by Simon Beaufoy (highly acclaimed writer of The Full Monty), the film is an emotionally resonant story, threaded with a rich vein of wit, irony and juxtapostions.
Daniel, an ambitious and handsome detective sergeant (Nick Moran) takes on the tough contemporary world of a teenage girl in Brighton. But to the dismay of his police partner (Victoria Scarborough), he is relentlessly stalked by a fifteen year-old gang leader (Lara Belmont) who dreams of escape for them both to a romantic tropical Island. As their mutual and forbidden desire increases, events move inexorably to a denouement of tortured and sexual longing and eventual tragedy.
Hayley's gang of fourteen year-old girls are on the rampage, mugging young male tourists on Brighton's sea-front. Hayley is half-adolescent and half-woman, as raw and violent as any male counterpart, and just as calculating. She is determined that they will escape their poverty, their crumbling families and dead end prospects by stealing enough money to leave Brighton. The gang thinks she wants to go to London. However, secretly Hayley has almost saved up enough money to take them to Bali, a tropical paradise full, she imagines, of beautiful, androgynous young men. Here she and the gang will find the happiness they crave.
When Hayley sees Daniel, a young detective, arresting a robbery suspect she is transfixed. Charismatic, handsome, tough but also strangely vulnerable, he personifies her desires. She falls in love and lust. She must have him at any cost.
When a wedding comes to a small town in the Indian countryside, it's a good opportunity for Mrs Bakshi to find eligible mates for her four daughters, but the smart and headstrong Lalita is determined to marry for love. Sparks fly when she meets the handsome American Will Darcy, but is it love or hate?
Gurinder Chadha directs this Bollywood-style re-telling of Jane Austen's classic tale of marriage and manners, transplanted to modern-day India, England and America, and complete with lavish musical spectacle.
